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Contents (121)
  1. THE SILENCE
  2. Susan Allott
  3. Copyright
  4. Praise for The Silence:
  5. Dedication
  6. 1
  7. London, 1997
  8. 2
  9. Sydney, 1966
  10. 3
  11. Ivanhoe, New South Wales, 1966
  12. 4
  13. Sydney, 1967
  14. 5
  15. Sydney, 1967
  16. 6
  17. Sydney, 1997
  18. 7
  19. Sydney, 1967
  20. 8
  21. Sydney, 1967
  22. 9
  23. Sydney, 1967
  24. 10
  25. Sydney, 1967
  26. 11
  27. Sydney, 1997
  28. 12
  29. Sydney, 1967
  30. 13
  31. Sydney, 1967
  32. 14
  33. Sydney, 1997
  34. 15
  35. Sydney, 1967
  36. 16
  37. Sydney, 1967
  38. 17
  39. Leeds, 1967
  40. 18
  41. Sydney, 1967
  42. 19
  43. Sydney, 1997
  44. 20
  45. Sydney, 1967
  46. 21
  47. Ivanhoe, 1967
  48. 22
  49. Leeds, 1967
  50. 23
  51. Sydney, 1997
  52. 24
  53. Sydney, 1967
  54. 25
  55. Sydney, 1997
  56. 26
  57. Sydney, 1967
  58. 27
  59. Sydney, 1967
  60. 28
  61. Sydney, 1997
  62. 29
  63. Sydney, 1967
  64. 30
  65. Sydney, 1967
  66. 31
  67. New South Wales, 1997
  68. 32
  69. Sydney, 1967
  70. 33
  71. Sydney, 1967
  72. 34
  73. Sydney, 1997
  74. 35
  75. Sydney, 1967
  76. 36
  77. Sydney, 1967
  78. 37
  79. Sydney, 1997
  80. 38
  81. Sydney, 1967
  82. 39
  83. Leeds, 1967
  84. 40
  85. Sydney, 1967
  86. 41
  87. Sydney, 1997
  88. 42
  89. Sydney, 1967
  90. 43
  91. Victoria, 1967
  92. 44
  93. Sydney, 1997
  94. 45
  95. Victoria, 1967
  96. 46
  97. Sydney, 1967
  98. 47
  99. Sydney 1997
  100. 48
  101. Sydney, 1997
  102. 49
  103. Sydney, 1997
  104. 50
  105. Sydney, 1997
  106. 51
  107. Victoria, 1967
  108. 52
  109. New South Wales, 1997
  110. 53
  111. Leeds, 1967
  112. 54
  113. Sydney, 1997
  114. Author’s Note
  115. Notes
  116. A note about language
  117. Acknowledgements
  118. Questions for Reading Groups
  119. Erin Kelly interviews Susan Allott
  120. About the Author
  121. About the Publisher

‘There’s something I forgot to ask you when I was last here,’ Isla says.

‘I told you what you need to know.’ Steve stands, clutching his papers to his chest. ‘I’m not going over that again.’

‘Do the people you work with know about your past? The kids you removed?’

He looks past her. From the waiting room at the end of the corridor they hear Valerie singing, a little out of tune.

‘I’m doing a good job here, Isla,’ he says. ‘Trying to make up for all of that, as best I can.’

‘Do they know?’

‘One or two of ’em do, yes. It’s not something I’m proud of.’

‘Do they know about the baby you kept for yourself?’

‘The baby—?’ For a second there is agony in his face. He shakes his head. ‘What do you mean?’

‘You took a baby and kept him. A baby boy,’ Isla says, hiding her own surprise. She hadn’t quite believed it until now. Behind them, the singing stops.

‘You got your wires crossed, Isla,’ he says. ‘I don’t know anything about a baby.’

‘He was one of the kids you were meant to remove. An Aboriginal baby. You took him home instead.’

‘Where’d you get that idea?’

‘My dad told me. He remembers the baby. Hearing him crying.’

‘Your father’s a drunk, Isla.’

‘That’s true.’

He pauses, bemused. ‘And he’s a liar.’

‘He took everything from you,’ Isla says.

‘That’s right.’ His papers bend against his chest. ‘That’s right.’

A set of lights switch on at the far end of the corridor. Voices in the distance. Isla feels the balance of the moment roll back and forth.

‘He broke up your marriage.’ Isla glances at Louisa, who is shocked and silent at her side. ‘He told a lot of lies and got away with it. He kept his wife and family.’

Steve nods. ‘I’m glad you understand that.’

‘I think that’s why you wanted to blame him, for killing your wife.’

The lights switch on overhead. ‘I think you should get out of here,’ Steve says.

‘Did Mandy follow you down to Marlo?’

‘Did you hear me?’ He moves to push past them. ‘Get out of my way.’

Isla does not move. ‘Is that where you killed her?’

‘I said, get out of my way!’

He barrels past them, his head down, and Isla lands with her back against the wall. At the turn of the corridor, Valerie stands waiting. Her bleached hair is yellow under the lights.

‘Steve?’ Valerie takes a step towards him. ‘What’s all this?’

‘Sorry, Val.’ He laughs, catching his breath. ‘Got waylaid. We can start now.’

Valerie looks at the two women, then back at him. ‘I heard what they said.’

‘I can explain all that.’ He strums his papers with his thumb. ‘It’s not the way it sounds, Val. Why don’t we—?’

Valerie looks at Steve with a sadness that cuts him off. He shrinks a little, bowing his head.

‘We trusted you,’ she says.