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Contents ( 121)
  1. THE SILENCE
  2. Susan Allott
  3. Copyright
  4. Praise for The Silence:
  5. Dedication
  6. 1
  7. London, 1997
  8. 2
  9. Sydney, 1966
  10. 3
  11. Ivanhoe, New South Wales, 1966
  12. 4
  13. Sydney, 1967
  14. 5
  15. Sydney, 1967
  16. 6
  17. Sydney, 1997
  18. 7
  19. Sydney, 1967
  20. 8
  21. Sydney, 1967
  22. 9
  23. Sydney, 1967
  24. 10
  25. Sydney, 1967
  26. 11
  27. Sydney, 1997
  28. 12
  29. Sydney, 1967
  30. 13
  31. Sydney, 1967
  32. 14
  33. Sydney, 1997
  34. 15
  35. Sydney, 1967
  36. 16
  37. Sydney, 1967
  38. 17
  39. Leeds, 1967
  40. 18
  41. Sydney, 1967
  42. 19
  43. Sydney, 1997
  44. 20
  45. Sydney, 1967
  46. 21
  47. Ivanhoe, 1967
  48. 22
  49. Leeds, 1967
  50. 23
  51. Sydney, 1997
  52. 24
  53. Sydney, 1967
  54. 25
  55. Sydney, 1997
  56. 26
  57. Sydney, 1967
  58. 27
  59. Sydney, 1967
  60. 28
  61. Sydney, 1997
  62. 29
  63. Sydney, 1967
  64. 30
  65. Sydney, 1967
  66. 31
  67. New South Wales, 1997
  68. 32
  69. Sydney, 1967
  70. 33
  71. Sydney, 1967
  72. 34
  73. Sydney, 1997
  74. 35
  75. Sydney, 1967
  76. 36
  77. Sydney, 1967
  78. 37
  79. Sydney, 1997
  80. 38
  81. Sydney, 1967
  82. 39
  83. Leeds, 1967
  84. 40
  85. Sydney, 1967
  86. 41
  87. Sydney, 1997
  88. 42
  89. Sydney, 1967
  90. 43
  91. Victoria, 1967
  92. 44
  93. Sydney, 1997
  94. 45
  95. Victoria, 1967
  96. 46
  97. Sydney, 1967
  98. 47
  99. Sydney 1997
  100. 48
  101. Sydney, 1997
  102. 49
  103. Sydney, 1997
  104. 50
  105. Sydney, 1997
  106. 51
  107. Victoria, 1967
  108. 52
  109. New South Wales, 1997
  110. 53
  111. Leeds, 1967
  112. 54
  113. Sydney, 1997
  114. Author’s Note
  115. Notes
  116. A note about language
  117. Acknowledgements
  118. Questions for Reading Groups
  119. Erin Kelly interviews Susan Allott
  120. About the Author
  121. About the Publisher

She rolls her eyes. ‘Through the double doors and on the right.’

Isla smiles at the receptionist as her mum leaves them alone. The lanyard pass around her neck reads Valerie. Isla takes a leaflet from the desk and uses it to swat a fly.

‘Sit down if you want,’ Valerie says.

Isla sits near the doors at the back of the room and watches the ceiling fan rotate. Valerie sings to herself, low and melodic. From somewhere inside the building, Isla hears a man’s voice: a tone of surprise. She can’t make out his words.

She stands. Valerie is preoccupied, folding a letter into an envelope. Isla slips through the double doors, into a dark corridor with rooms leading off it on either side, the doors closed. Another corridor branches off to the right, leading to more meeting rooms and offices. Halfway down, a door stands open.

‘Why did you do that?’ Louisa says, from behind the open door. ‘Why did you say she’d withdrawn that cash?’

Isla looks through a glass panel to see Steve standing by a long, narrow table, his crate of files at his side. Her mum stands facing him.

‘I thought it might be best,’ he says. ‘I thought it might be comforting to her family. And to you.’

‘I don’t need to be comforted.’

‘Your son said you were upset by the police enquiry.’

‘I’m upset you told a pack of lies about what happened to your wife.’

His face changes. He remembers a different Louisa, Isla thinks. One who didn’t fight back.

‘Why did you do that? Your wife is missing. Why did you want the case closed?’

‘Look, can we talk later?’ He looks anxiously around the room. ‘This is a bad time.’

‘You haven’t answered me.’

‘I spoke to Ray,’ he says, rubbing the back of his head. ‘I called Ray and he agreed it might be kinder all round if—’

‘Who’s Ray?’ Louisa says, raising her voice, stepping closer to him when he doesn’t reply. Isla knows this moment, where her mother’s switch trips. She can’t see her face, but she can see the aggression in her stance, and Steve’s defences going up. He won’t crack now, Isla thinks. Not like this.

‘I thought you’d be glad to have it put to rest,’ Steve says, taking a stack of papers from a file.

‘What happened to Mandy?’ Louisa says.

He tries to move past her. ‘I’ve told the police all I know about that.’

‘You told Ray, you mean? Is he a friend of yours, this Ray? Is he the cop who’s leading the case?’

‘I need to get to a meeting.’ He pushes past Louisa and through the open door, where he collides with Isla, sending his papers across the grey carpet.

‘What the hell are you doing here?’

Isla waits as he gathers his paperwork. Louisa comes to stand beside her, incensed. Isla holds a hand up to quieten her. She looks down at Steve, crouched at their feet, cornered and scared. She needs to be careful, she thinks. For once in her life, she needs to be calm.