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Contents (121)
  1. THE SILENCE
  2. Susan Allott
  3. Copyright
  4. Praise for The Silence:
  5. Dedication
  6. 1
  7. London, 1997
  8. 2
  9. Sydney, 1966
  10. 3
  11. Ivanhoe, New South Wales, 1966
  12. 4
  13. Sydney, 1967
  14. 5
  15. Sydney, 1967
  16. 6
  17. Sydney, 1997
  18. 7
  19. Sydney, 1967
  20. 8
  21. Sydney, 1967
  22. 9
  23. Sydney, 1967
  24. 10
  25. Sydney, 1967
  26. 11
  27. Sydney, 1997
  28. 12
  29. Sydney, 1967
  30. 13
  31. Sydney, 1967
  32. 14
  33. Sydney, 1997
  34. 15
  35. Sydney, 1967
  36. 16
  37. Sydney, 1967
  38. 17
  39. Leeds, 1967
  40. 18
  41. Sydney, 1967
  42. 19
  43. Sydney, 1997
  44. 20
  45. Sydney, 1967
  46. 21
  47. Ivanhoe, 1967
  48. 22
  49. Leeds, 1967
  50. 23
  51. Sydney, 1997
  52. 24
  53. Sydney, 1967
  54. 25
  55. Sydney, 1997
  56. 26
  57. Sydney, 1967
  58. 27
  59. Sydney, 1967
  60. 28
  61. Sydney, 1997
  62. 29
  63. Sydney, 1967
  64. 30
  65. Sydney, 1967
  66. 31
  67. New South Wales, 1997
  68. 32
  69. Sydney, 1967
  70. 33
  71. Sydney, 1967
  72. 34
  73. Sydney, 1997
  74. 35
  75. Sydney, 1967
  76. 36
  77. Sydney, 1967
  78. 37
  79. Sydney, 1997
  80. 38
  81. Sydney, 1967
  82. 39
  83. Leeds, 1967
  84. 40
  85. Sydney, 1967
  86. 41
  87. Sydney, 1997
  88. 42
  89. Sydney, 1967
  90. 43
  91. Victoria, 1967
  92. 44
  93. Sydney, 1997
  94. 45
  95. Victoria, 1967
  96. 46
  97. Sydney, 1967
  98. 47
  99. Sydney 1997
  100. 48
  101. Sydney, 1997
  102. 49
  103. Sydney, 1997
  104. 50
  105. Sydney, 1997
  106. 51
  107. Victoria, 1967
  108. 52
  109. New South Wales, 1997
  110. 53
  111. Leeds, 1967
  112. 54
  113. Sydney, 1997
  114. Author’s Note
  115. Notes
  116. A note about language
  117. Acknowledgements
  118. Questions for Reading Groups
  119. Erin Kelly interviews Susan Allott
  120. About the Author
  121. About the Publisher

‘You lost—?’

‘Don’t lecture me.’

‘Were you over the limit?’

She looks down at the grey swirl through the white marble floor and nods.

‘When was this?’

‘Six months ago. No one was hurt. But I wrote off the car.’

He is quiet until she looks at him. ‘You could have killed someone. Or yourself.’

‘I know, Scott. I’m so ashamed about it.’

‘I should hope you are.’

She feels his disgust. She doesn’t have the guts to hold his eye. She is grubby and useless in his bright, clean house.

‘I need to get to work,’ he says, climbing the stairs. ‘I can’t help you, Isla.’

‘You can’t or you won’t?’

‘Both,’ he says, without turning round.

‘Ask Mum!’ she shouts after him, standing at the foot of his staircase. ‘Ask Mum if she believes it.’

No reply. From the first-floor landing she hears a door close.

‘Thanks a bunch!’ She shouts it across the expanse of marble, into the domed cavity of the roof.

Sydney’s well-groomed business class is waking up. Isla walks through the streets as they leave their houses, back their sleek cars out of gravel drives and head for the city. They eye her curiously: a black-clad woman with outgrown hair, lace-up boots, nowhere to go. She glares at them, hot and angry, a misfit, a black sheep. She is lost, which is just as well. She’d be in a bottle shop if she knew where to find one.

Behind her a car sounds its horn. She ignores it. She passes under palm trees and thinks she’ll head for the coast. The houses are grander now, set back from the street. Sculpted lawns, pillars, ocean-facing balconies.

The horn sounds again and a car pulls up at the edge of the road. A metallic blue Ford Laser with its bumper bar hanging low on the passenger side. ‘Get in!’ Louisa shouts through the window. She leans across and opens the door. ‘Come on. I’ll take you to see Steve, if that’s what you want.’

Isla stands a moment on the footpath. She loves her mother’s car for being old and ugly, so incongruous in this suburb that she almost laughs.

‘Get in,’ Louisa says again, lifting magazines and carrier bags from the passenger seat. Isla catches a glimpse of her pyjama shirt, its silk collar visible under her jacket.

‘Are you sure?’

Louisa revs the engine. ‘For God’s sake, get in.’

Isla lowers herself into the car, ignoring the grit in the stitching of the seat. Something yields softly in the detritus beneath her feet and she kicks it aside. Louisa accelerates. She’s wearing a long green trench coat over her pyjamas. Isla has never in her life seen her mum leave the house looking so dishevelled.

‘I didn’t sleep last night,’ Louisa says.

‘Why not?’

She checks the mirror, changes gear, glances at Isla over her glasses. ‘Mandy didn’t withdraw that money.’

‘I know.’

She taps the steering wheel. ‘Why would Steve change his story like that?’