Contents ( 33)
- THE SHOEMAKER’S HOLIDAY
- CONTENTS
- ACKNOWLEDGEMENTS
- INTRODUCTION
- FURTHER READING
- ABBREVIATIONS
- TO ALL GOOD FELLOWS, PROFESSORS OF THE GENTLE CRAFT, OF WHAT DEGREE SOEVER
- DRAMATIS PERSONAE
- THE PROLOGUE
- THE FIRST THREE-MAN’S SONG
- THE SECOND THREE-MAN’S SONG
- [SCENE 1]
- [SCENE 2]
- [SCENE 3]
- [SCENE 4]
- [SCENE 5]
- [SCENE 6]
- [SCENE 7]
- [SCENE 8]
- [SCENE 9]
- [SCENE 10]
- [SCENE 11]
- [SCENE 12]
- [SCENE 13]
- [SCENE 14]
- [SCENE 15]
- [SCENE 16]
- [SCENE 17]
- [SCENE 18]
- [SCENE 19]
- [SCENE 20]
- [SCENE 21]
- APPENDIX
FIRK |
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’Snails, Ralph, thou hast lost thy part of three pots a countryman |
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of mine gave me to breakfast. |
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RALPH |
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I care not. I have found a better thing. |
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FIRK |
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A thing? Away! Is it a man’s thing, or a woman’s thing? | 40 |
RALPH |
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Firk, dost thou know this shoe? |
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FIRK |
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No, by my troth. Neither doth that know me: I have no |
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acquaintance with it, ‘tis a mere stranger to me. |
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RALPH |
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Why, then, I do: this shoe, I durst be sworn, |
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Once covered the instep of my Jane. | 45 |
This is her size, her breadth. Thus trod my love. |
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These true-love knots I pricked. I hold my life, |
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By this old shoe I shall find out my wife. |
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FIRK |
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Ha, ha! Old shoe, that wert new - how a murrain came this |
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ague-fit of foolishness upon thee? | 50 |
RALPH |
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Thus, Firk: even now here came a servingman; |
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By this shoe would he have a new pair made, |
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Against tomorrow morning, for his mistress |
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That’s to be married to a gentleman. |
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And why may not this be my sweet Jane? | 55 |
FIRK |
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And why mayst not thou be my sweet ass? Ha, ha! |
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RALPH |
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Well, laugh and spare not. But the truth is this. |
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Against tomorrow morning I’ll provide |
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A lusty crew of honest shoemakers |
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To watch the going of the bride to church. | 60 |
If she prove Jane, I’ll take her in despite |
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From Hammon and the devil, were he by. |
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If it be not my Jane, what remedy? |
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Hereof am I sure, I shall live till I die, |
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Although I never with a woman lie. Exit | 65 |
FIRK |
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Thou lie with a woman, to build nothing but Cripplegates! |
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Well, God sends fools fortune, and it may be he may light upon |
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his matrimony by such a device; for wedding and hanging goes |
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by destiny. Exit |
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[SCENE 15]
Enter LACY and ROSE, arm in arm
LACY |
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How happy am I by embracing thee! |
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O, I did fear such cross mishaps did reign |
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That I should never see my Rose again. |
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ROSE |
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Sweet Lacy, since fair opportunity |
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Offers herself to further our escape, | 5 |
Let not too over-fond esteem of me |
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Hinder that happy hour. Invent the means, |
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And Rose will follow thee through all the world. |
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LACY |
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O, how I surfeit with excess of joy, |
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Made happy by thy rich perfection! | 10 |
But since thou payest sweet interest to my hopes, |
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Redoubling love on love, let me once more, |
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Like to a bold-faced debtor, crave of thee |
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This night to steal abroad, and at Eyre’s house, |
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Who now by death of certain aldermen | 15 |
Is Mayor of London, and my master once, |
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Meet thou thy Lacy, where, in spite of chance, |
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Your father’s anger, and mine uncle’s hate, |
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Our happy nuptials will we consummate. |
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Enter SYBIL
SYBIL |
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O God, what will you do, mistress? Shift for yourself, your | 20 |
father is at hand. He’s coming, he’s coming! Master Lacy, hide |
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yourself. In, my mistress! For God’s sake, shift for yourselves. |
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LACY |
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Your father come! Sweet Rose, what shall I do? |
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Where shall I hide me? How shall I escape? |
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ROSE |
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A man, and want wit in extremity? | 25 |
Come, come, be Hans still - play the shoemaker. |
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Pull on my shoe. |
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