Contents (33)
- THE SHOEMAKER’S HOLIDAY
- CONTENTS
- ACKNOWLEDGEMENTS
- INTRODUCTION
- FURTHER READING
- ABBREVIATIONS
- TO ALL GOOD FELLOWS, PROFESSORS OF THE GENTLE CRAFT, OF WHAT DEGREE SOEVER
- DRAMATIS PERSONAE
- THE PROLOGUE
- THE FIRST THREE-MAN’S SONG
- THE SECOND THREE-MAN’S SONG
- [SCENE 1]
- [SCENE 2]
- [SCENE 3]
- [SCENE 4]
- [SCENE 5]
- [SCENE 6]
- [SCENE 7]
- [SCENE 8]
- [SCENE 9]
- [SCENE 10]
- [SCENE 11]
- [SCENE 12]
- [SCENE 13]
- [SCENE 14]
- [SCENE 15]
- [SCENE 16]
- [SCENE 17]
- [SCENE 18]
- [SCENE 19]
- [SCENE 20]
- [SCENE 21]
- APPENDIX
Enter BOY
LACY |
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O, ick verstaw yow: Ick moet een halve dossen cans betaelen. |
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Here, boy, nempt dis skilling, tap eens freelicke. |
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Exit BOY
EYRE |
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Quick, snipper-snapper, away! Firk, scour thy throat; thou shalt |
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wash it with Castilian liquor. [ Calls] Come, my last of the fives, |
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Enter BOY
give me a can. Have to thee, Hans! Here, Hodge; here, Firk; | 105 |
drink, you mad Greeks, and work like true Trojans, and pray for |
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Simon Eyre the shoemaker. Here, Hans; and thou’rt welcome. |
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FIRK |
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Lo, dame, you would have lost a good fellow that will teach us |
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to laugh. This beer came hopping in well. |
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MARGERY |
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Simon, it is almost seven. | 110 |
EYRE |
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Is’t so, Dame Clapperdudgeon? Is’t seven o’clock and my men’s |
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breakfast not ready? Trip and go, you soused conger, away! |
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Come, you mad Hyperboreans; follow me, Hodge; follow me, |
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Hans; come after, my fine Firk – to work, to work a while, and |
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then to breakfast. Exit | 115 |
FIRK |
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Soft, yaw, yaw, good Hans. Though my master have no more |
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wit but to call you afore me, I am not so foolish to go behind |
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you, I being the elder journeyman. |
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Exeunt
[SCENE 5]
Hallooing within. Enter WARNER and HAMMON like hunters
HAMMON |
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Cousin, beat every brake. The game’s not far. |
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This way with winged feet he fled from death |
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Whilst the pursuing hounds, scenting his steps, |
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Find out his highway to destruction. |
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Besides, the miller’s boy told me even now | 5 |
He saw him take soil, and he hallooed him, |
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Affirming him so embossed |
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That long he could not hold. |
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WARNER If it be so, |
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’Tis best we trace these meadows by Old Ford. |
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A noise of hunters within. Enter BOY
HAMMON |
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How now, boy, where’s the deer? Speak, saw’st thou him? | 10 |
BOY |
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O yea, I saw him leap through a hedge, and then over a ditch, |
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then at my Lord Mayor’s pale. Over he skipped me, and in he |
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went me, and ‘holla’ the hunters cried, and ‘there |
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boy, there boy’. But there he is, ‘a mine honesty. |
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HAMMON |
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Boy, godamercy. Cousin, let’s away. | 15 |
I hope we shall find better sport today. |
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Exeunt
[SCENE 6]
Hunting within. Enter ROSE and SYBIL
ROSE |
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Why, Sybil, wilt thou prove a forester? |
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SYBIL |
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Upon some, no! Forester, go by. No, faith, mistress, the deer |
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came running into the barn through the orchard, and over the |
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pale. I wot well I looked as pale as a new cheese to see him, but |
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’whip!’ says Goodman Pinclose, up with his flail, and our Nick | 5 |
with a prong, and down he fell, and they upon him, and I upon |
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them. By my troth, we had such sport! And in the end we ended |
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him, his throat we cut, flayed him, unhorned him, and my Lord |
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Mayor shall eat of him anon when he comes. |
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Horns sound within
ROSE |
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Hark, hark, the hunters come. You’re best take heed. | 10 |
They’ll have a saying to you for this deed. |
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Enter HAMMON, WARNER, Huntsmen and Boy