Contents (33)
- THE SHOEMAKER’S HOLIDAY
- CONTENTS
- ACKNOWLEDGEMENTS
- INTRODUCTION
- FURTHER READING
- ABBREVIATIONS
- TO ALL GOOD FELLOWS, PROFESSORS OF THE GENTLE CRAFT, OF WHAT DEGREE SOEVER
- DRAMATIS PERSONAE
- THE PROLOGUE
- THE FIRST THREE-MAN’S SONG
- THE SECOND THREE-MAN’S SONG
- [SCENE 1]
- [SCENE 2]
- [SCENE 3]
- [SCENE 4]
- [SCENE 5]
- [SCENE 6]
- [SCENE 7]
- [SCENE 8]
- [SCENE 9]
- [SCENE 10]
- [SCENE 11]
- [SCENE 12]
- [SCENE 13]
- [SCENE 14]
- [SCENE 15]
- [SCENE 16]
- [SCENE 17]
- [SCENE 18]
- [SCENE 19]
- [SCENE 20]
- [SCENE 21]
- APPENDIX
[Exeunt]
[SCENE 9]
Enter OATLEY and MASTER SCOTT
OATLEY |
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Good Master Scott, I have been bold with you |
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To be witness to a wedding-knot |
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Betwixt young Master Hammon and my daughter. |
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O, stand aside; see where the lovers come. |
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Enter HAMMON and ROSE
ROSE |
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Can it be possible you love me so? | 5 |
No, no, within those eyeballs I espy |
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Apparent likelihoods of flattery. |
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Pray now, let go of my hand. |
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HAMMON Sweet Mistress Rose, |
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Misconstrue not my word, nor misconceive |
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Of my affection, whose devoted soul | 10 |
Swears that I love thee dearer than my heart. |
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ROSE |
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As dear as your own heart? I judge it right: |
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Men love their hearts best when they’re out of sight. |
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HAMMON |
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I love you, by this hand. |
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ROSE Yet hands off, now. |
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If flesh be frail, how weak and frail’s your vow! | 15 |
HAMMON |
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Then by my life I swear. |
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ROSE Then do not brawl. |
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One quarrel loseth wife and life and all. |
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Is not your meaning thus? |
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HAMMON In faith, you jest. |
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ROSE |
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Love loves to sport; therefore leave love, you’re best. |
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OATLEY |
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What, square they, Master Scott? |
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SCOTT Sir, never doubt. | 20 |
Lovers are quickly in and quickly out. |
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HAMMON |
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Sweet Rose, be not so strange in fancying me. |
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Nay, never turn aside, shun not my sight. |
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I am not grown so fond to found my love |
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On any that shall quit it with disdain. | 25 |
If you will love me, so. If not, farewell. |
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OATLEY |
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Why, how now, lovers, are you both agreed? |
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HAMMON |
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Yes, faith, my lord. |
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OATLEY ’ Tis well. Give me your hand; |
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Give me yours, daughter. How now, both pull back? |
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What means this, girl? |
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ROSE I mean to live a maid. | 30 |
HAMMON |
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[Aside] But not to die one - pause ere that be said! |
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OATLEY |
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Will you still cross me? Still be obstinate? |
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HAMMON |
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Nay, chide her not, my lord, for doing well. |
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If she can live an happy virgin’s life, |
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’Tis far more blessed than to be a wife. | 35 |
ROSE |
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Say, sir, I cannot. I have made a vow, |
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Whoever be my husband, ’tis not you. |
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OATLEY |
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Your tongue is quick. But Master Hammon, know |
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I bade you welcome to another end. |
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HAMMON |
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What, would you have me pule, and pine, and pray, | 40 |
With ‘lovely lady’, ‘mistress of my heart’, |
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‘Pardon your servant’, and the rhymer play, |
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Railing on Cupid and his tyrant’s dart? |
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Or shall I undertake some martial spoil, |
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Wearing your glove at tourney and at tilt, | 45 |
And tell how many gallants I unhorsed? |
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Sweet, will this pleasure you? |
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ROSE Yea. When wilt begin? |
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What, love-rhymes, man? Fie on that deadly sin! |
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OATLEY |
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If you will have her, I’ll make her agree. |
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HAMMON |
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Enforced love is worse than hate to me. | 50 |
There is a wench keeps shop in the Old Change: |
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To her will I. It is not wealth I seek; |
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I have enough, and will prefer her love |
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Before the world. My good Lord Mayor, adieu. |
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Old love for me. I have no luck with new. Exit | 55 |
OATLEY |
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Now, mammet, you have well behaved yourself! |
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But you shall curse your coyness, if I live. |
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Who’s within there? |
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