Contents (33)
- THE SHOEMAKER’S HOLIDAY
- CONTENTS
- ACKNOWLEDGEMENTS
- INTRODUCTION
- FURTHER READING
- ABBREVIATIONS
- TO ALL GOOD FELLOWS, PROFESSORS OF THE GENTLE CRAFT, OF WHAT DEGREE SOEVER
- DRAMATIS PERSONAE
- THE PROLOGUE
- THE FIRST THREE-MAN’S SONG
- THE SECOND THREE-MAN’S SONG
- [SCENE 1]
- [SCENE 2]
- [SCENE 3]
- [SCENE 4]
- [SCENE 5]
- [SCENE 6]
- [SCENE 7]
- [SCENE 8]
- [SCENE 9]
- [SCENE 10]
- [SCENE 11]
- [SCENE 12]
- [SCENE 13]
- [SCENE 14]
- [SCENE 15]
- [SCENE 16]
- [SCENE 17]
- [SCENE 18]
- [SCENE 19]
- [SCENE 20]
- [SCENE 21]
- APPENDIX
[SCENE 3]
Enter ROLAND LACY like a Dutch shoemaker
LACY |
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How many shapes have gods and kings devised |
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Thereby to compass their desired loves? |
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It is no shame for Roland Lacy then |
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To clothe his cunning with the Gentle Craft |
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That thus disguised I may unknown possess | 5 |
The only happy presence of my Rose. |
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For her have I forsook my charge in France, |
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Incurred the King’s displeasure, and stirred up |
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Rough hatred in mine uncle Lincoln’s breast. |
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O love, how powerful art thou, that canst change | 10 |
High birth to baseness, and a noble mind |
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To the mean semblance of a shoemaker! |
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But thus it must be: for her cruel father, |
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Hating the single union of our souls, |
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Hath secretly conveyed my Rose from London | 15 |
To bar me of her presence; but I trust |
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Fortune and this disguise will further me |
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Once more to view her beauty, gain her sight. |
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Here in Tower Street with Eyre the shoemaker |
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Mean I a while to work. I know the trade: | 20 |
I learned it when I was in Wittenberg. |
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Then cheer thy hoping sprites, be not dismayed; |
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Thou canst not want – do Fortune what she can, |
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The Gentle Craft is living for a man! Exit |
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[SCENE 4]
Enter EYRE, making himself ready
EYRE |
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Where be these boys, these girls, these drabs, these scoundrels? |
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They wallow in the fat brewis of my bounty, and lick up the |
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crumbs of my table, yet will not rise to see my walks cleansed. |
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Come out, you powder-beef queans! What, Nan! What, Madge |
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Mumblecrust! Come out, you fat midriff-swag-belly whores, | 5 |
and sweep me these kennels, that the noisome stench offend |
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not the nose of my neighbours. What, Firk, I say! What, Hodge! |
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Open my shop windows! What, Firk, I say! |
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Enter FIRK
FIRK |
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O master, is’t you that speak bandog and bedlam this morning? |
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I was in a dream, and mused what madman was got into the | 10 |
street so early. Have you drunk this morning, that your throat |
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is so clear? |
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EYRE |
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Ah, well said, Firk; well said, Firk – to work, my fine knave, to |
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work! Wash thy face, and thou’lt be more blessed. |
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FIRK |
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Let them wash my face that will eat it – good master, send for a | 15 |
souse-wife, if you’ll have my face cleaner. |
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Enter HODGE
EYRE |
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Away, sloven! Avaunt, scoundrel! – Good morrow, Hodge; good |
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morrow, my fine foreman. |
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HODGE |
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O master, good morrow; you’re an early stirrer. Here’s a fair |
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morning. Good morrow, Firk. I could have slept this hour. | 20 |
Here’s a brave day towards. |
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EYRE |
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O haste to work, my fine foreman, haste to work. |
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FIRK |
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Master, I am dry as dust to hear my fellow Roger talk of fair |
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weather. Let us pray for good leather, and let clowns and |
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ploughboys, and those that work in the fields, pray for brave | 25 |
days. We work in a dry shop, what care I if it rain? |
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Enter MARGERY
EYRE |
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How now, Dame Margery, can you see to rise? Trip and go, call |
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up the drabs your maids. |
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MARGERY |
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See to rise? I hope ‘tis time enough; ‘tis early enough for any |
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woman to be seen abroad. I marvel how many wives in Tower | 30 |
Street are up so soon. God’s me, ‘tis not noon! Here’s a yawling. |
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EYRE |
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Peace, Margery, peace. Where’s Cicely Bumtrinket your maid? |
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She has a privy fault: she farts in her sleep. Call the quean up. If |
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my men want shoethread, I’ll swinge her in a stirrup. |
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FIRK |
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Yet that’s but a dry beating. Here’s still a sign of drought. | 35 |