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Chapters (42)
  1. Contents
  2. The Cast
  3. The Stage
  4. Map of Venice
  5. Map of Italy
  6. Act I: Fortunato’s Fate
  7. One: The Trap
  8. Two: The Dark
  9. Three: A Spot of Bother
  10. Four: How Much for the Monkey?
  11. Five: Ladies of the Lagoon
  12. Six: The Players
  13. Act II: The Watery City
  14. Seven: La Giudecca
  15. Eight: A Pound of Flesh
  16. Nine: Two Thousand Nine Hundred and Ninety-nine Golden Ducats
  17. Ten: Intrigue Beneath the Bawd
  18. Eleven: Siren Ascending
  19. Twelve: To Belmont and Beyond
  20. Act III: The Moor of Venice
  21. Thirteen: Bold and Saucy Wrongs
  22. Fourteen: A World of Sighs
  23. Fifteen: What Wicked Webs
  24. Sixteen: A Nasty Piece of Work
  25. Seventeen: A Fool’s Ransom
  26. Act IV: The Green-eyed Monster
  27. Eighteen: Cloak, Dagger, Wimple, and Veil
  28. Nineteen: Well Met in Corsica Once More
  29. Twenty: The Art of Persuasion
  30. Act V: A Pound of Flesh
  31. Twenty-one: Savage Puppets
  32. Twenty-two: No Shit, Shylock
  33. Twenty-three: The Trial
  34. Twenty-four: The Verdict
  35. Twenty-five: Arise! Black Vengeance!
  36. Twenty-six: Off Jolly Rogering!
  37. Afterword
  38. About the Author
  39. Also by Christopher Moore
  40. Credits
  41. Copyright
  42. About the Publisher

CHORUS: So, Shylock thus disposed, Jessica turned her devices to preparing her new slave for presentation later to her father, which would require some scrubbing, removal of his chains, and perhaps restoring the jester to consciousness, but even though her slave was slight, she found she was not strong enough to drag him up the ramp and into the house by herself.

“I’m not strong enough to get him up the ramp.”

CHORUS: She said with great superfluity, as the narrator had only just pointed out that selfsame thing.

“I was talking to Gobbo, you knob. No one likes you, you know? Skulking about in the margins acting as if you know everything.”

CHORUS: And, indeed, with uncommon stealth and no little sneakiness, the blind old beggar Gobbo had tapped his way down the walkway to pause at the top of the boat ramp, thus surprising the narrator, who is seldom underinformed about such goings-on.

“Signor Gobbo, help me get this fellow into the house. I’m not strong enough to move him.”

“What fellow?”

“This poor fellow who is nearly drowned, and has washed up on the boat ramp.”

“Do you think it could be my son? My boy, long lost?”

“Fine. Your son. Help me get your son into the house, Gobbo.”

“Well, why didn’t you say so?”

CHORUS: So, with the help of old Gobbo, Jessica was able to move the battered and sodden fool to the house, but as they pulled him up from the ramp, she heard what sounded like a small fish jumping, and spied, out by the end of the gondola docks, a sleek shadow moving beneath the jade green water of the lagoon.

CHORUS: And so, while the fool slept the sleep of the dead, the beautiful Jewess snipped off the tip of his willy.

“What!” said I, somewhat emphatically, when I awoke from my premature burial and submarine mermaid bonking. “Unhand my willy, young woman!”

“Settle down, slave, I just need to snip a bit of the tip off so Papa will let me keep you.”

She was a lovely thing, wild dark hair and blue eyes; strong high cheekbones; and a long, straight nose like the desert princesses adorning the pillaged Egyptian obelisks that stood in the piazzas of Rome. Truly told, I didn’t notice her features at the time, as she was holding the tip of my willy with two fingers of one hand, while in the other brandishing, with great concentration, a butcher knife the size of a rowboat. “He’ll never let me keep a Gentile slave. I’ve seen the mohel do this simply dozens of times. Easy peasy. Now, hold still.”