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Chapters (42)
  1. Contents
  2. The Cast
  3. The Stage
  4. Map of Venice
  5. Map of Italy
  6. Act I: Fortunato’s Fate
  7. One: The Trap
  8. Two: The Dark
  9. Three: A Spot of Bother
  10. Four: How Much for the Monkey?
  11. Five: Ladies of the Lagoon
  12. Six: The Players
  13. Act II: The Watery City
  14. Seven: La Giudecca
  15. Eight: A Pound of Flesh
  16. Nine: Two Thousand Nine Hundred and Ninety-nine Golden Ducats
  17. Ten: Intrigue Beneath the Bawd
  18. Eleven: Siren Ascending
  19. Twelve: To Belmont and Beyond
  20. Act III: The Moor of Venice
  21. Thirteen: Bold and Saucy Wrongs
  22. Fourteen: A World of Sighs
  23. Fifteen: What Wicked Webs
  24. Sixteen: A Nasty Piece of Work
  25. Seventeen: A Fool’s Ransom
  26. Act IV: The Green-eyed Monster
  27. Eighteen: Cloak, Dagger, Wimple, and Veil
  28. Nineteen: Well Met in Corsica Once More
  29. Twenty: The Art of Persuasion
  30. Act V: A Pound of Flesh
  31. Twenty-one: Savage Puppets
  32. Twenty-two: No Shit, Shylock
  33. Twenty-three: The Trial
  34. Twenty-four: The Verdict
  35. Twenty-five: Arise! Black Vengeance!
  36. Twenty-six: Off Jolly Rogering!
  37. Afterword
  38. About the Author
  39. Also by Christopher Moore
  40. Credits
  41. Copyright
  42. About the Publisher

Whatever she had received, the creature stopped, about five yards from the boat, then surfaced and stood out of the water half again as tall as a tall man, so black that she nearly soaked up the light. A thick, serpentine body, for she was a serpent, her head—jaws—wide and square, with long whiskers at either side, nostrils that snapped open and took breath, audibly, but gills down her neck. She had short arms, front legs, with web talons, and from the tip of each heavy black claw, each as long as the blades of my daggers, emerged a fine, translucent, needlelike claw that dripped a milky venom. She hovered there, held aloft by her rear legs paddling and a great tail swishing below the surface, looking at us, emerald eyes set back on the sides of her head glistening in the sun, set in the unscaled skin like the small whales the Venetians call the blackfish. She turned her head to the side so she might get a better look at us, then slid back into the sea and dove down until we could see her no more.

“Pocket?” said Drool, some of the alarm gone from his voice now.

“Aye, lad. Don’t be afraid. She won’t hurt you.”

“Pocket, that weren’t no mermaid.”

“No, lad, I don’t know what that was.” Of course I knew what it was. I am English, am I not? I was raised in the bosom of the church, was I not? You couldn’t count a half dozen church windows, tapestries, or altarpieces in all of Blighty that weren’t emblazoned with St. George and his bloody dragon.

Then Drool spoke in a voice that I did not recognize. “The Khan told me, on pain of death, I was never to speak to outsiders of the black dragons, who were gods to his people, and whose venom could be distilled into a black tar that made men’s heads swim as if in the most pleasant of dreams. Yet as our caravan left the Khan’s kingdom, I paid a village fisherman to catch me a very small, perhaps newly hatched serpent, which I was able to smuggle back to Venice in my rucksack, keeping it damp in a bundle of wet cloth even while crossing the wide desert.”

“What is that, Drool? Whose story is that?”

“Bloke what was in my cell with me. He was on the ship when they sunk it. He were the dog’s bollocks, Pocket, told stories near good as you.”

“Row, Drool. For the lighthouse.”

“We gettin’ Jeff and that girl what looks like a lad?”

“No, foolish fool, we are going to get your cellmate out of prison.”

“Smashing! You can tell me mate the story of how you shagged a dragon.”

Act IV: The Green-eyed Monster

ACT IV

The Green-eyed Monster

If any wretch hath put this in your head,