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Chapters (42)
  1. Contents
  2. The Cast
  3. The Stage
  4. Map of Venice
  5. Map of Italy
  6. Act I: Fortunato’s Fate
  7. One: The Trap
  8. Two: The Dark
  9. Three: A Spot of Bother
  10. Four: How Much for the Monkey?
  11. Five: Ladies of the Lagoon
  12. Six: The Players
  13. Act II: The Watery City
  14. Seven: La Giudecca
  15. Eight: A Pound of Flesh
  16. Nine: Two Thousand Nine Hundred and Ninety-nine Golden Ducats
  17. Ten: Intrigue Beneath the Bawd
  18. Eleven: Siren Ascending
  19. Twelve: To Belmont and Beyond
  20. Act III: The Moor of Venice
  21. Thirteen: Bold and Saucy Wrongs
  22. Fourteen: A World of Sighs
  23. Fifteen: What Wicked Webs
  24. Sixteen: A Nasty Piece of Work
  25. Seventeen: A Fool’s Ransom
  26. Act IV: The Green-eyed Monster
  27. Eighteen: Cloak, Dagger, Wimple, and Veil
  28. Nineteen: Well Met in Corsica Once More
  29. Twenty: The Art of Persuasion
  30. Act V: A Pound of Flesh
  31. Twenty-one: Savage Puppets
  32. Twenty-two: No Shit, Shylock
  33. Twenty-three: The Trial
  34. Twenty-four: The Verdict
  35. Twenty-five: Arise! Black Vengeance!
  36. Twenty-six: Off Jolly Rogering!
  37. Afterword
  38. About the Author
  39. Also by Christopher Moore
  40. Credits
  41. Copyright
  42. About the Publisher

Let heaven requite it with the serpent’s curse.

—Emilia, Othello, Act IV, Scene 2

Eighteen: Cloak, Dagger, Wimple, and Veil

EIGHTEEN

Cloak, Dagger, Wimple, and Veil

Antonio Donnola, the merchant of Venice, looked out from his balcony, over the Venetian harbor, and wondered for a moment if the four-story fall to the pavers below would kill him instantly or if he might linger, bleeding and broken for a time, before he expired. He was not considering suicide, but considering how Iago might react upon his return from Corsica to find that his part of the plot to take Brabantio’s council seat had gone horribly awry. There would be questions before the violence, and although he was not a man of great courage, he would allow Iago’s wrath to fall upon him before sacrificing his beautiful boy, Bassanio.

“A fool’s head, you say?”

“Aye,” said Bassanio. “Like one would find atop a harlequin’s scepter at Carnival, except there was no stick. I beg your forgiveness, Antonio. I was assured that it was the right casket. Salanio had found out and sent word through a gondolier.”

“A gondolier?”

“He showed me Sal’s dagger as proof the message was authentic. They must have changed the caskets after Sal and Lorenzo left for Cyprus.” Bassanio joined Antonio on the balcony and squeezed his shoulder. “I will pay you back, I promise. I will pay you back.”

He wouldn’t, of course. Three thousand ducats? Bassanio would never see such a sum unless he married into it. He was a strong, handsome young man, and not entirely dim-witted, but he was a shit merchant. If not for Antonio’s patronage, the boy would have been begging in the street years ago. Perhaps Iago had been right—he should have paid suit to Portia himself, taken the senate seat himself, not utterly bollixed up the whole process—threatened a lawyer or two, as the soldier had suggested. It was too late now. He no longer had funds to make suit himself. Oh, he still had weeks before his bond was due to Shylock, and at least one of his ships would return by then with the profits to cover the debt, but he couldn’t secure another three thousand ducats plus the money to intimidate the lawyers. Iago would counsel for that, he was sure. Should he send word to Corsica? Declare their Crusade defeated before it started, take his three-thousand-ducat loss, and stop Iago’s plot before it went too far?

He looked at the pavers below again. Perhaps it would be quick and painless. Perhaps he should go to mass, to get his soul in order, because if Iago returned to find the calamity that had befallen them, someone was going to die.

“The gondolier, do you think you would recognize him?”