Back The Photographer
Chapters (26)
  1. Copyright Notice
  2. Dedication
  3. CHAPTER ONE
  4. CHAPTER TWO
  5. CHAPTER THREE
  6. CHAPTER FOUR
  7. CHAPTER FIVE
  8. CHAPTER SIX
  9. CHAPTER SEVEN
  10. CHAPTER EIGHT
  11. CHAPTER NINE
  12. CHAPTER TEN
  13. CHAPTER ELEVEN
  14. CHAPTER TWELVE
  15. CHAPTER THIRTEEN
  16. CHAPTER FOURTEEN
  17. CHAPTER FIFTEEN
  18. CHAPTER SIXTEEN
  19. CHAPTER SEVENTEEN
  20. CHAPTER EIGHTEEN
  21. CHAPTER NINETEEN
  22. FIVE YEARS LATER
  23. ACKNOWLEDGMENTS
  24. More Praise for The Photographer
  25. ABOUT THE AUTHOR
  26. Newsletter Sign-up

A wall of bookshelves at one end of the library stood in contrast to the pristine furniture, glistening glass everywhere—a room that didn’t suggest the presence of a child. Natalie appeared to have self-control and restraint beyond her years, so I gathered that she didn’t pose a threat to the breakable objects in the room, nor did they pose a threat to her, at least not now. Perhaps she had learned the hard way.

I wouldn’t have been able to blend into the crowd so well if it weren’t for my affluent high school boyfriend, son of an Orlando lawyer, whom I’d dated for three years. I had the luxury of time in which to study his parents, his sister, and him, individually and collectively. Even at fifteen, it was obvious to me that you need to immerse yourself in the lifestyle if you want to fit in, if you want people to believe that you belong to their world. It’s a matter of osmosis. It turned out my boyfriend was a prick. He pulled a knife on me once. When I explained the nuances of the situation to his parents, they got me a full ride to the University of West Florida. It was the least they could do. If they wanted gratitude, they should have gotten me into Yale.

My talent as a photographer is multidimensional. I’m a documentarian when called upon to be that. Of course, I can disappear into the woodwork and capture the interactions that naturally occur at a gathering among family and friends, but that sort of photography often leaves me unsatisfied. I like to create the moments. I see myself as a director.

I reappeared in the dining area with my camera out several minutes later, followed by Itzhak, the Straubs’ aged bloodhound, who wandered in and among the girls, eventually sidling up to Natalie. Absentmindedly, she scratched him behind his ears.

I began with discretion, as the documentarian. From twenty feet away I snapped photos of the girls. Natalie held herself in reserve much of the time. The others were presumably her friends, but she didn’t seem to trust their friendship. Amelia might have misjudged how long they would spend on jewelry-making, because most of them finished their projects relatively quickly and soon looked bored. Natalie appeared self-conscious, as if she felt responsible for entertaining the girls.