The Photographer
Chapters (26)
- Copyright Notice
- Dedication
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- FIVE YEARS LATER
- ACKNOWLEDGMENTS
- More Praise for The Photographer
- ABOUT THE AUTHOR
- Newsletter Sign-up
Copyright Notice
The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy.
Dedication
For Steve
CHAPTER ONE
I caught a glimpse of Amelia Straub through the front entry glass. Then the door swung open, and I stepped inside.
“Delta, darling!” Her large brown eyes landed on me with commitment. “I’m so grateful you made it here in this”—she gestured dramatically in the direction of the storm outside—“this tempest.”
We’d only just met, but the warmth in her voice was that of a close friend. She assumed the best about me. If she had a test, I’d passed it.
Behind her, a floating sculptural staircase, seemingly lit from above, with glass balustrades and bronze railings, ascended dramatically from the stair hall. A wide passage extended the length of the house so that even from the front door, I could see a sparkling kitchen in the back, and three sets of floor-to-ceiling glass-and-steel bifold doors that opened up to a deck and backyard. I’d found before-and-after pictures of the house online—a Greek Revival brownstone in Boerum Hill with an understated façade and an interior that Amelia and her husband, Fritz, had designed and transformed. But the photos hardly did it justice. Casting my eyes about the house was like viewing a series of paintings, one more striking than the next. In and of itself, the staircase was a work of art, and seen in the context of the home as a whole, it surpassed itself.
Amelia hung my coat in a pristine hall closet next to a sleek purple down Moncler. (I knew the price of that coat: more than two thousand.) Her long, slender arms danced gracefully around her body while she told me, in the most effusive terms, how much she admired my work.