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Chapters (92)
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Prologue
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Chapter 60
  66. Chapter 61
  67. Chapter 62
  68. Chapter 63
  69. Chapter 64
  70. Chapter 65
  71. Chapter 66
  72. Chapter 67
  73. Chapter 68
  74. Chapter 69
  75. Chapter 70
  76. Chapter 71
  77. Chapter 72
  78. Chapter 73
  79. Chapter 74
  80. Chapter 75
  81. Chapter 76
  82. Epilogue
  83. Acknowledgments
  84. Discover More James Patterson
  85. About the Authors
  86. Raves forJames Patterson
  87. James Patterson Recommends
  88. Invisible
  89. The First Lady
  90. The Cornwalls Vanish
  91. Never Never
  92. Visit JamesPatterson.com

“Well, you must be having one hot romance cooking, and it looks like I’m going to be your secret little helper. I just got a text, which I’ll read to you: Urgent. Tell Lucy. Meet me 3 AM Crane Hill Cemetery Sunnyside Equipment House 3. Thx 4 yr help. Boy Sam.”

“Thanks, Troy,” I say.

“This stuff makes sense to you, Lucy girl?” he asks. “Your man’s name is Sam?”

I don’t answer.

Troy speaks again. “I’m only asking, Lucy. Do you understand all this? Does this message make sense to you?”

“Yes,” I say. “It makes complete sense.”

Chapter 48

Chapter 48

AT TWO THIRTY IN the morning an Uber drops me off at 48th Avenue in Sunnyside, Queens. I’ve been followed at a safe distance by two detectives in a dark-blue Toyota Camry. They’re followed—or so I’m told—by Leon Blumenthal, Bobby Cilia, and two FBI agents. God only knows what Russian is following them.

I’ve been fitted out with a wire. The wire is different from anything you or I have ever seen in a movie or TV show. It is just a piece of flat round metal with Velcro on the back. A minuscule bit of plastic protrudes from the rim. The whole deal is barely the size of a dime.

It is attached by the Velcro inside a pocket of my black jeans. The whole fastening procedure took about five seconds.

I walk the two long blocks to Crane Hill Cemetery. The streets are empty except for a truck unloading cases of laundry detergent in front of a Met Foodmarket. Closer to the cemetery gate are three young men. They look threatening, but I’m not afraid. I know that both the guy unloading the truck and the three gangland-looking guys are police decoys.

Bobby Cilia initially suggested the decoys be two cemetery groundskeepers and an elderly widow visiting her husband’s grave.

“Are you nuts?” was Blumenthal’s reaction. “At three in the morning only psychos are visiting graves.” The eager Cilia kid has a lot to learn.

I feel curiously…free? Like an actress on a big movie set. I wear a loose shirt and carry a very large purse. It holds nothing but dozens of make-believe files about make-believe babies.

I’ve thoroughly studied a detailed map of the cemetery, so when I pass through the entrance gate, I know exactly where to find Equipment House 3. I pretend to be confused. I look left and right and left and right and then I nod to myself, as if I’ve newly discovered the small, flat brick building where I’ve agreed to meet Orlov.

The big black painted wooden door is unlatched, and I walk into a very dark room.