Chapters (92)
- Cover
- Title Page
- Copyright
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Epilogue
- Acknowledgments
- Discover More James Patterson
- About the Authors
- Raves forJames Patterson
- James Patterson Recommends
- Invisible
- The First Lady
- The Cornwalls Vanish
- Never Never
- Visit JamesPatterson.com
Troy’s referring to a GUH midwives joke that every birth on the British television show Call the Midwife requires about two minutes of labor before the baby arrives.
Back to work.
Here it comes. The baby’s head crowns, a perfect little yarmulke of jet-black hair. We’re ready to go. Troy gives the “Little breath, little breath, big push” order, and Bella does her best. A pause, and when Troy says so, Bella pushes again. Almost all of the head is out. Good, very good.
Troy asks for “One more big push.” Bella gives it. Then again. Then a pause. Then again. Then a push. Nothing. Bella is crying out now. Then she yells, “Spegni quella maladetta musica!”
“What’s she screaming?” asks Troy.
Bella’s husband translates. “She says ‘Turn off that damn music.’” Marco slaps the laptop closed. The Beatles are gone, but the baby is simply not moving out of Bella.
I put my fingers inside. As I feel around, I realize exactly what’s happening. I tell the assembled that “the baby’s shoulders are just too big for delivery.”
I ask for everyone except the husband and midwife team to leave the room. I urge Bella to extend her legs out from her body, which Marco and Troy help her with. Then we move her onto all fours. But after these less intrusive methods, the baby still won’t budge. I’ve got to perform a “significant” episiotomy. Just like before, nobody moves to leave, but I have more important things to do than police a crowd dispersal.
“Get them out, Troy,” I say. He opens the door. Friends and some family leave. The door closes. An unpleasant nervous silence falls over the room.
After Troy and Marco help Bella onto her back again, I begin cutting, carefully but quickly. Nothing’s moving except the scalpel. The baby’s shoulders are really wide. “Who have you got inside there? A Green Bay Packers linebacker?”
I cut as far as I can sensibly go. There’s some bleeding. I’m not worried, but we can’t cut any more.
“Call obstetrics and pediatrics,” I say, just short of yelling. “We’ve got shoulder dystocia.”
“What is dystocia?” Marco asks.
Troy has an answer for him. “The baby’s shoulders are stuck in your wife’s pelvis.”
Two minutes later Dr. Sarkar appears.
Chapter 66
Chapter 66
THE FIRST THING SARKAR says to me when he enters the room is this: “You’re in charge. I’m just here to help. That will be our understanding and the manner in which we will proceed.”
Somehow I believe him, I trust him. He is, after all, first and foremost a doctor, a doctor involved in one of doctoring’s most precious events. Of course he’s also a colleague and friend who failed to give me an honest update on Dr. Katz.