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Chapters (92)
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Prologue
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Chapter 60
  66. Chapter 61
  67. Chapter 62
  68. Chapter 63
  69. Chapter 64
  70. Chapter 65
  71. Chapter 66
  72. Chapter 67
  73. Chapter 68
  74. Chapter 69
  75. Chapter 70
  76. Chapter 71
  77. Chapter 72
  78. Chapter 73
  79. Chapter 74
  80. Chapter 75
  81. Chapter 76
  82. Epilogue
  83. Acknowledgments
  84. Discover More James Patterson
  85. About the Authors
  86. Raves forJames Patterson
  87. James Patterson Recommends
  88. Invisible
  89. The First Lady
  90. The Cornwalls Vanish
  91. Never Never
  92. Visit JamesPatterson.com

“Can you tell us what this is all about, miss?”

“What’s your role in the unfolding story here?”

“I understand you’re the supervising midwife.”

My own cell phone is suddenly alive with texts.

One from Blumenthal.

Will xplain all Trust me LB

One from Troy.

Teen girl w preemie need u or TracyA NOW T

And one from my mother. Mom’s text is, of course, written like a letter.

Hi, Lucy. Willie boarded the Pittsburgh train at 7:30. It arrives at Penn Station at 4:56 this evening. All is well. I think Willie has a bit of a cold. He says he doesn’t. Kids! He’s as stubborn as you were when you were his age. OOXX, Mom.

Chapter 51

Chapter 51

I’VE ONLY BEEN TO Penn Station about two million times, and every time I’m there it looks uglier than the time before. Trash cans overflow. Fluorescent lights flicker on and off. I read a newspaper article that they don’t fix the broken chairs in the waiting room because they think they’re going to rebuild the entire station soon. Great idea, but I’m pretty sure I read that article about fifteen years ago.

I’m early to meet Willie’s train. It’s scheduled to arrive at 4:56, and I’m there at 4:54. For me, that’s early. I look at the ARRIVALS board and see that it’s listed at TRACK 12 ON TIME. On time? This must be my lucky day. And it is, until I arrive at track 12 and see a large handwritten sign by the ARRIVALS board.

TRACK CHANGE. PITTSBURGH 4:56 ARRIVAL

NOW 5:10

TRACK 17

Story of my life. Too good to be true. Eventually, after a search that sent me from one staircase to another, I am standing outside track 17, which bears another handwritten sign: PITTSBURGH ARRIVAL. That’s it. Four other people seem to be waiting—an old man in a heavy black woolen coat, a young black woman in what appears to be native African dress, and two teenage boys smoking some very unpleasant-smelling weed.

A few minutes later track 17 begins discharging passengers. Estimated count? Fifty people. I push my way into the crowd and scan for Willie. The crowd thins down, and I don’t see him. I do what any normal mother would do: I panic and picture myself sobbing to Big Lucy that “I should never have listened to you! I should never have let him take the train alone!”

So maybe this is not my lucky day at all. I walk toward the train. I’m about to panic, but I know that in thirty seconds, if there’s no Willie, I’ll start yelling at everyone in sight. Then…

“Hey, Mom,” comes the familiar shout.

Thank you, God. I’ll be a good person from now on.

I turn to my left, the direction of Willie’s voice. He is standing in the doorway of one of the train cars.