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Chapters (92)
  1. Cover
  2. Title Page
  3. Copyright
  4. Dedication
  5. Prologue
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Chapter 60
  66. Chapter 61
  67. Chapter 62
  68. Chapter 63
  69. Chapter 64
  70. Chapter 65
  71. Chapter 66
  72. Chapter 67
  73. Chapter 68
  74. Chapter 69
  75. Chapter 70
  76. Chapter 71
  77. Chapter 72
  78. Chapter 73
  79. Chapter 74
  80. Chapter 75
  81. Chapter 76
  82. Epilogue
  83. Acknowledgments
  84. Discover More James Patterson
  85. About the Authors
  86. Raves forJames Patterson
  87. James Patterson Recommends
  88. Invisible
  89. The First Lady
  90. The Cornwalls Vanish
  91. Never Never
  92. Visit JamesPatterson.com

Next thing you know these two will be going out dancing.

Blumenthal has one final good-bye line: “And really, I appreciate your help, both of you. Like I said, we’ll stay in touch. My cafeteria door is always open.”

The three of us laugh softly, then exchange another quiet round of thank-yous.

As we walk to the exit of the cafeteria-office, Sarkar asks, “Are you going home now?”

“Yeah. If I don’t go home, I may just fall asleep standing up right here.”

“Let me give you a ride to your house,” he says.

“No way. You live all the way on the Upper East Side, and I’m out in Brooklyn,” I say. “Plus, you look like a guy who’s just completed a marathon.”

The fact is I just want to be alone, to get one of those end seats on the train, to listen to my music mix.

“I insist,” Sarkar says.

A series of “No, really,” followed by a series of “I insist, really,” eventually ends with Sarkar saying, “Okay, meet you in ten minutes in the doctors’ parking lot. Look for a handsome man driving a blue Lexus.”

“I’ll just look for a blue Lexus. That’ll be enough,” I say.

Chapter 18

Chapter 18

HERE’S THE THING ABOUT modern luxury cars: When you see the commercials, the cars look really stupid and cheesy. And the commercials themselves are really annoying. They all look like they could have been shown on television in 1970. But once you get inside one of those luxury cars—the big seats, the complicated control system, the absolute quiet—you wonder how you can ever get back inside your 2008 Hyundai again.

Sarkar’s Lexus has something called an ignition fob. To me it looks like a small remote control for a television, but as soon as he touches that fob, the big blue Lexus starts purring like…well, like a big blue Lexus is supposed to purr.

“The best way to get to my place is to take—” I start to say.

“Yes, I know,” he says with a smile.

“Sorry,” I say. “Not everybody knows how to get out of Manhattan and into Brooklyn. Or if they do know, they usually don’t know how to get to Crown Heights.”

“I only know Brooklyn because of two events,” he says. “The first event is the invention of the GPS system, so I rarely get lost. The second event is my divorce.”

“Uh, okay,” I say. “The GPS I get. On the other thing, the divorce, well, would you like to explain what you mean by ‘the second event is my divorce’?”

He laughs. “Of course. Obviously I was trying to be provocative,” he says. “Instead I ended up just being confusing. And possibly quite irritating.” Then he turns a bit more somber. He talks as if he is almost telling a story about someone else, not him.