Chapters (92)
- Cover
- Title Page
- Copyright
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Epilogue
- Acknowledgments
- Discover More James Patterson
- About the Authors
- Raves forJames Patterson
- James Patterson Recommends
- Invisible
- The First Lady
- The Cornwalls Vanish
- Never Never
- Visit JamesPatterson.com
I freeze the image on the screen and dial the speed down to normal. We watch a man in a cheesy-looking navy-blue warm-up suit pause, then bend over at the waist. He hangs in that bent-over position, his hands almost touching the floor. Then a nurse approaches him and speaks to him. The man stands up straight. The nurse looks concerned, but the man waves her away. It must be the nurse’s lucky day, because as soon as she’s a few feet away the man vomits what looks like a week’s worth of meals.
“Mount Vesuvius blows!” Troy yells and laughs.
I click a control button and we watch the continuing segment at a faster speed: the man walks into a visitors’ bathroom and the nurse returns. She leaves frame. Then she returns again. This time she carries with her an antiseptic foam spray.
“So far this has been the most exciting part of the recordings,” says Troy. Then he adds, “And, by the way, I am not trying to avoid the question of how I managed to secure these.”
“Okay, and so…”
“So have you ever noticed that young security guy Jonah?” Troy asks.
“Well, no…I don’t think so.”
“Tall. Latino. Part-timer. He’s usually at the ER entrance on the dead-man’s shift.”
“Can’t say as I know him,” I say.
“Sometimes, when it’s real cold, he wears a black satin jacket with the logo from the Jersey Boys musical on it and a baseball cap with the logo from Hamilton on it.”
“Okay, now I know who it is,” I say. Then I add, just so I can be entirely unprofessional, “He’s got a nice little butt.”
“Well, Jonah is trying to be an actor, and let me just say that he and I have grown pretty close.”
“Pretty close?” I ask skeptically.
“Okay, Lucy, very close.”
“Very close?” I ask.
“And lucky for you, Lucy, that we are, because sometimes Jonah gets assigned to the video archives room when other folks are taking their break, and we do each other favors. We are close friends, very close friends. I have visited the video archives room a fair number of times.”
“Stop right there,” I say.
“No, it’s nothing like you’re thinking,” Troy says.
“No, stop the video.”
This section of recording has flipped into blurry color.
Troy freezes the frame: a woman. Nurse’s uniform. Looks like she’s got blond hair. Because the image quality is so bad it’s hard to tell for sure. The woman is walking toward the camera. But her head is bent downward. Her time on camera is less than five seconds.
“Okay, Troy. What was wrong with that picture?”
Troy doesn’t skip a beat. “She’s wearing high heels.”
Troy is the man!
“When was the last time you saw a nurse wearing high-heeled shoes?” I ask.
“Only once, but that was a drag show in the Poconos.”