Chapters (92)
- Cover
- Title Page
- Copyright
- Dedication
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Epilogue
- Acknowledgments
- Discover More James Patterson
- About the Authors
- Raves forJames Patterson
- James Patterson Recommends
- Invisible
- The First Lady
- The Cornwalls Vanish
- Never Never
- Visit JamesPatterson.com
I say to Katz, “In any case…you should put the cigarette out.”
“In any case,” Katz says, “I’m the CEO in this room, and I want to smoke.”
Blumenthal is seated on the one uncomfortable-looking steel folding chair in the room. I think he’s oblivious to the scene around him. But I turn out to be wrong about that. The detective suddenly looks up—suspiciously perhaps—from his laptop.
“And I’m the cop in this room,” Blumenthal says as he stands up. “Put out the cigarette, Doc.”
There is an unpleasant pause. Then Katz drops the cigarette onto the linoleum floor and begins furiously grinding it out.
Almost immediately the door to the OR opens. A woman dressed in full surgical garb—head covering, surgical mask, protective eyeglasses, gloves, green scrubs—comes into our waiting area. She pushes the eyeglasses to her forehead and unsnaps her mask, then removes it.
I recognize her immediately: she’s a GUH surgeon, one of the best.
She addresses us. “I’m Helen Whall.”
She is as modest as she is talented, so I tell everyone else in the room that Helen Whall is the finest plastic surgeon at GUH, possibly in all of New York City. When a seven-year-old boy in the Bronx had his ear almost severed by a stray bullet, Whall reattached it perfectly. When the mayor had a melanoma on his shiny bald head, Whall was called in to remove and patch it. There really is no one remotely like her.
“Helen, what the hell is happening in there?” Katz asks.
“Please, stay calm, sir. That’s why I’m here. I’ve got an update.”
Why do I feel that things are not going well?
Helen reports, “The patient’s condition is dangerous. Very dangerous. We all suspected that. Turns out that Katra has a small rupture in the uterine wall. Dr. Sarkar is working on that. And, as you no doubt noticed, there’s been a significant loss of blood.”
Katz is growing impatient. “Yes, as we ‘no doubt noticed,’ she’s lost a lot of blood. But is this patient going to live? I’m the one who will have to face the goddamn media.”
Dr. Whall doesn’t answer.
“I asked you a question, Doctor,” Katz says.
Helen Whall looks at Katz with a face that clearly registers restrained anger. Then she returns to her update. “They’re draining the amniotic fluid. They’ve got the placenta out. They need to evaluate the extent of the liver damage. But one thing is clear…” Then she pauses.
“For Chrissake, what the hell is that?” Katz yells.
“The incision they used to take the baby out…is neat and elegant, a traditional bikini-cut C-section.”
“And that means what?” Blumenthal asks.
I decide that I’ll answer the question. “It means the C-section was probably done by a professional.”
“A professional?” Blumenthal asks, only slightly confused.