Back The Manor
Chapters (183)
  1. Cover
  2. Title Page
  3. Dedication
  4. ACKNOWLEDGEMENTS
  5. Epigraph
  6. 1980s
  7. PROLOGUE
  8. 1950s
  9. 1
  10. 2
  11. 1960s
  12. 3
  13. 4
  14. 5
  15. 6
  16. 7
  17. 8
  18. 9
  19. 10
  20. 11
  21. 12
  22. 13
  23. 14
  24. 15
  25. 16
  26. 17
  27. 18
  28. 19
  29. 20
  30. 21
  31. 22
  32. 23
  33. 24
  34. 25
  35. 26
  36. 27
  37. 28
  38. 29
  39. 30
  40. 31
  41. 32
  42. 33
  43. 34
  44. 35
  45. 36
  46. 37
  47. 38
  48. 39
  49. 1970s
  50. 40
  51. 41
  52. 42
  53. 43
  54. 44
  55. 45
  56. 46
  57. 47
  58. 48
  59. 49
  60. 50
  61. 51
  62. 52
  63. 53
  64. 54
  65. 55
  66. 56
  67. 57
  68. 58
  69. 59
  70. 60
  71. 61
  72. 62
  73. 1980s
  74. 63
  75. 64
  76. 65
  77. 66
  78. 67
  79. 68
  80. 69
  81. 70
  82. 71
  83. 72
  84. 73
  85. 74
  86. 75
  87. 76
  88. 77
  89. 78
  90. 79
  91. 80
  92. 81
  93. 82
  94. 83
  95. 84
  96. 85
  97. 86
  98. 87
  99. 88
  100. 89
  101. 90
  102. 91
  103. 92
  104. 93
  105. 94
  106. 95
  107. 96
  108. 97
  109. 98
  110. 99
  111. 100
  112. 101
  113. 102
  114. 103
  115. 104
  116. 105
  117. 106
  118. 107
  119. 108
  120. 109
  121. 110
  122. 111
  123. 112
  124. 113
  125. 114
  126. 115
  127. 116
  128. 117
  129. 118
  130. 119
  131. 120
  132. 121
  133. 122
  134. 123
  135. 124
  136. 125
  137. 126
  138. 127
  139. 128
  140. 129
  141. 130
  142. 131
  143. 132
  144. 133
  145. 134
  146. 135
  147. 136
  148. 137
  149. 138
  150. 139
  151. 140
  152. 141
  153. 142
  154. 143
  155. 144
  156. 145
  157. 146
  158. 147
  159. 148
  160. 149
  161. 150
  162. 151
  163. 152
  164. 153
  165. 154
  166. 155
  167. 156
  168. 157
  169. 158
  170. 159
  171. 160
  172. 161
  173. 162
  174. EPILOGUE
  175. NAMELESS
  176. LAWLESS
  177. RUTHLESS
  178. STAY DEAD
  179. DANGEROUS
  180. FEARLESS
  181. THE EDGE
  182. THE KNOCK
  183. By Jessie Keane

‘She got out, boss. There were footprints, leading out. I looked around, took the buggy around the lake and everything, all around the grounds. Can’t see her anywhere. But it’s no problem. She’s bleeding. Wounded. She won’t get far.’

‘You fucking moron.’

‘Boss—’ he protested. How was this his fault?

‘Get the fucking car out. Check the lanes. Go find her. And this time finish the job, yeah? Do it right.’

107

Milly was bored. Belle wasn’t about. She’d been down to the gatehouse and gone to the back door just like she always did and usually it was unlocked: this time it wasn’t. She knocked but got no answer. The place was in total darkness. They were out. So, feeling restless, Milly went into town and back to the club and there was the black-haired girl again, in the bogs. She seemed to live in the bogs.

‘Sorry, I didn’t catch your name,’ said Milly.

‘That’s ’cos I didn’t tell you, bitch,’ said the girl sharply.

‘Sorry.’

Other girls were shuffling in and out, using the loos, chatting, styling their hair, applying lipstick.

‘You liked the stuff then?’ asked the girl.

Milly nodded. Anything she said seemed to offend the girl, and she didn’t want to do that.

‘Come over to my place, get some more,’ she said, and turned away, going out of the door and back into the main body of the club. The heat and noise out here were overwhelming. Ahead of her, the girl led the way. They went up the stairs, and out, past Sammy – who ignored her – and his mate Gazzer, then onto the pavement. Then, not saying a word, the girl crossed the road. She ignored the traffic, Milly flinching in her wake as brakes shrieked and drivers cursed. They reached the other side alive, and the girl went to a shabby peeling door beside a newsagent’s and unlocked it. She went inside, impatiently ushered Milly in after her, and relocked the door.

You never touch that crap. You got that?

It was Charlie’s voice, ringing in her ears over and over as she was growing up. Drugs were for mugs.

But . . .

Truth was, she’d never felt that good, not ever. When she’d taken the drugs she’d felt invincible. Confident. Happy. All the things she never did, as a general rule.

‘I’m Marsha,’ the girl threw back over her shoulder as she took Milly up a steep flight of stairs.

‘Milly,’ said Milly, and the girl didn’t even acknowledge that she’d heard.

Marsha pushed open a door at the top of the stairs and switched on a light. They stepped into a dank, depressing little room, full of all sorts of rubbish; unwashed plates and cups on every filthy surface, an unmade bed, a dirty dark grey carpet.