Back The Manor
Chapters (183)
  1. Cover
  2. Title Page
  3. Dedication
  4. ACKNOWLEDGEMENTS
  5. Epigraph
  6. 1980s
  7. PROLOGUE
  8. 1950s
  9. 1
  10. 2
  11. 1960s
  12. 3
  13. 4
  14. 5
  15. 6
  16. 7
  17. 8
  18. 9
  19. 10
  20. 11
  21. 12
  22. 13
  23. 14
  24. 15
  25. 16
  26. 17
  27. 18
  28. 19
  29. 20
  30. 21
  31. 22
  32. 23
  33. 24
  34. 25
  35. 26
  36. 27
  37. 28
  38. 29
  39. 30
  40. 31
  41. 32
  42. 33
  43. 34
  44. 35
  45. 36
  46. 37
  47. 38
  48. 39
  49. 1970s
  50. 40
  51. 41
  52. 42
  53. 43
  54. 44
  55. 45
  56. 46
  57. 47
  58. 48
  59. 49
  60. 50
  61. 51
  62. 52
  63. 53
  64. 54
  65. 55
  66. 56
  67. 57
  68. 58
  69. 59
  70. 60
  71. 61
  72. 62
  73. 1980s
  74. 63
  75. 64
  76. 65
  77. 66
  78. 67
  79. 68
  80. 69
  81. 70
  82. 71
  83. 72
  84. 73
  85. 74
  86. 75
  87. 76
  88. 77
  89. 78
  90. 79
  91. 80
  92. 81
  93. 82
  94. 83
  95. 84
  96. 85
  97. 86
  98. 87
  99. 88
  100. 89
  101. 90
  102. 91
  103. 92
  104. 93
  105. 94
  106. 95
  107. 96
  108. 97
  109. 98
  110. 99
  111. 100
  112. 101
  113. 102
  114. 103
  115. 104
  116. 105
  117. 106
  118. 107
  119. 108
  120. 109
  121. 110
  122. 111
  123. 112
  124. 113
  125. 114
  126. 115
  127. 116
  128. 117
  129. 118
  130. 119
  131. 120
  132. 121
  133. 122
  134. 123
  135. 124
  136. 125
  137. 126
  138. 127
  139. 128
  140. 129
  141. 130
  142. 131
  143. 132
  144. 133
  145. 134
  146. 135
  147. 136
  148. 137
  149. 138
  150. 139
  151. 140
  152. 141
  153. 142
  154. 143
  155. 144
  156. 145
  157. 146
  158. 147
  159. 148
  160. 149
  161. 150
  162. 151
  163. 152
  164. 153
  165. 154
  166. 155
  167. 156
  168. 157
  169. 158
  170. 159
  171. 160
  172. 161
  173. 162
  174. EPILOGUE
  175. NAMELESS
  176. LAWLESS
  177. RUTHLESS
  178. STAY DEAD
  179. DANGEROUS
  180. FEARLESS
  181. THE EDGE
  182. THE KNOCK
  183. By Jessie Keane

Feeling increasingly nervous, Milly waited.

‘What the fuck,’ he said at last, ‘are you doing, mucking Javier about?’

‘What?’

‘You heard. He’s a valuable business associate and would it hurt you to be nice to him? He’s just been on the phone telling me you’ve cancelled a date with him. You’ve broken the poor bastard’s heart.’

‘What the . . .’ Milly was gobsmacked. ‘That’s ridiculous! I don’t like him, Dad. For God’s sake, he’s a horrible little—’

Charlie flew at her. He grabbed her arms and shook her, hard.

‘You listen to me,’ he snarled. ‘You be civil to Javier. You hear me?’

Milly was staring straight into her father’s face. She saw anger there, and in his eyes a hint of desperation. Suddenly, as if realizing he was going too far, Charlie let her go. He drew back, scraped a hand over his face.

‘Go on,’ he said. ‘Off you go.’

Milly didn’t need telling twice. She bolted out the door and was gone.

85

Belle drove over to the Clacton address next day. She checked the maps when she got there and then sat in the car, frowning and staring at what appeared to be a house set in a row of identical Victorian houses. She had expected a proper office on an industrial estate, but this was just a house.

She got out of the car and walked over. There was a small chequered black-and-white path leading up to a battered-looking front door with . . . what the hell? There was a mirror hanging on the outside of it.

Very odd.

She opened the little metal gate and walked up the path. There was a bell beside the door but it looked as if someone had wrenched it out of the wall. Undeterred, Belle knocked at the flaking wood.

Nothing.

She must have the wrong address.

But she knew she didn’t. She knew she had the right one.

She leaned in to knock again. As she did so, a tiny black-haired woman opened the door a crack and let loose a torrent of some foreign language at her.

‘I’m Belle Barton,’ said Belle loudly. ‘Is the manager here? Can I speak to the manager?’

What she should have done, she could see it now, was ask Dad if there was any work going in any of Charlie’s factories. But then, she was nervous of doing that: she knew Dad would only put her off. He’d tell her not to be silly. To enjoy herself. Didn’t she have a big enough allowance? And then she would have felt guilty, and awkward, and she would still be fed up and unsatisfied.

The woman stopped talking. She stood there, her eyes wide with alarm. A rabbit in the headlights. Getting annoyed at all this, Belle pushed forward. The woman was very slight, very small. She looked malnourished, really. It was easy to shove past her and go inside.