Back The Manor
Chapters (183)
  1. Cover
  2. Title Page
  3. Dedication
  4. ACKNOWLEDGEMENTS
  5. Epigraph
  6. 1980s
  7. PROLOGUE
  8. 1950s
  9. 1
  10. 2
  11. 1960s
  12. 3
  13. 4
  14. 5
  15. 6
  16. 7
  17. 8
  18. 9
  19. 10
  20. 11
  21. 12
  22. 13
  23. 14
  24. 15
  25. 16
  26. 17
  27. 18
  28. 19
  29. 20
  30. 21
  31. 22
  32. 23
  33. 24
  34. 25
  35. 26
  36. 27
  37. 28
  38. 29
  39. 30
  40. 31
  41. 32
  42. 33
  43. 34
  44. 35
  45. 36
  46. 37
  47. 38
  48. 39
  49. 1970s
  50. 40
  51. 41
  52. 42
  53. 43
  54. 44
  55. 45
  56. 46
  57. 47
  58. 48
  59. 49
  60. 50
  61. 51
  62. 52
  63. 53
  64. 54
  65. 55
  66. 56
  67. 57
  68. 58
  69. 59
  70. 60
  71. 61
  72. 62
  73. 1980s
  74. 63
  75. 64
  76. 65
  77. 66
  78. 67
  79. 68
  80. 69
  81. 70
  82. 71
  83. 72
  84. 73
  85. 74
  86. 75
  87. 76
  88. 77
  89. 78
  90. 79
  91. 80
  92. 81
  93. 82
  94. 83
  95. 84
  96. 85
  97. 86
  98. 87
  99. 88
  100. 89
  101. 90
  102. 91
  103. 92
  104. 93
  105. 94
  106. 95
  107. 96
  108. 97
  109. 98
  110. 99
  111. 100
  112. 101
  113. 102
  114. 103
  115. 104
  116. 105
  117. 106
  118. 107
  119. 108
  120. 109
  121. 110
  122. 111
  123. 112
  124. 113
  125. 114
  126. 115
  127. 116
  128. 117
  129. 118
  130. 119
  131. 120
  132. 121
  133. 122
  134. 123
  135. 124
  136. 125
  137. 126
  138. 127
  139. 128
  140. 129
  141. 130
  142. 131
  143. 132
  144. 133
  145. 134
  146. 135
  147. 136
  148. 137
  149. 138
  150. 139
  151. 140
  152. 141
  153. 142
  154. 143
  155. 144
  156. 145
  157. 146
  158. 147
  159. 148
  160. 149
  161. 150
  162. 151
  163. 152
  164. 153
  165. 154
  166. 155
  167. 156
  168. 157
  169. 158
  170. 159
  171. 160
  172. 161
  173. 162
  174. EPILOGUE
  175. NAMELESS
  176. LAWLESS
  177. RUTHLESS
  178. STAY DEAD
  179. DANGEROUS
  180. FEARLESS
  181. THE EDGE
  182. THE KNOCK
  183. By Jessie Keane

She couldn’t forget what she had seen in that place in Clacton. Or Nige’s words to her. And the mirror on the front door of the house. Was that weird, or what? She’d looked that up at the library, and found that it was a Vietnamese thing, to repel dragons. So the people in there were from Vietnam. She remembered the bubbling vats, the throat-closing rubbery stench, all of them wearing protective clothing, goggles, masks. Making crack cocaine, according to Nige.

And Dad knows.

She thought of Charlie’s furniture manufacturing business, which she’d always believed to be legitimate. Now, she was thinking otherwise. Jill’s shocked reaction had confirmed her worst fears. The furniture business was nothing but a front, a cover for drug dealing. And her family and Milly’s, and even Harlan, she was sure, were in on it.

Belle was in shock. No wonder Dad seemed to be doing so well. No wonder Mum had never had to work. Jill barely had to lift a finger. She had the nice gatehouse and grounds with plenty of help from cleaners, gardeners, ironing services and the rest. Everything on the surface appeared fine, prosperous. The Stones and the Bartons were – apparently – living the good life on the back of a successful, legal business.

Only . . . they weren’t. Not really.

Nothing was as it seemed. Belle’s own aimless life no longer made any sense to her. Up to this point, she’d had fuck-all to do. She’d been sent to a goodish school but had never bothered to study much. She’d been a popular girl, a gang of friends all around her, Julia, Molly, Davey and Phil, Nige and the others, and she’d always taken pains to include shy Milly whenever she could. She’d been a prefect, then head girl. But she hadn’t troubled herself with exams and she certainly didn’t want the faff of uni, like ultra-bright Nige.

But what was she going to do, now she knew what had been going on under her nose all these years?

She had her shades on and the roof was down. The wind was streaking through her hair and sending it billowing back in a tousled blonde wave, messing up her careful hairdo. She didn’t care. Freddie Mercury was blasting out ‘Killer Queen’ on the sound system, the bass notes booming along the verges, scattering cows and startling sheep in the fields beyond.