Chapters (82)
- Cover
- Praise for The House of Whispers
- Title Page
- Note to Readers
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- One
- Two
- Three
- Four
- Five
- Six
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Seven
- Eight
- Nine
- Ten
- Eleven
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Twelve
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Thirteen
- Fourteen
- Fifteen
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Sixteen
- Seventeen
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Eighteen
- Nineteen
- Twenty
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Twenty-One
- Twenty-Two
- Twenty-Three
- Twenty-Four
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Twenty-Five
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Twenty-Six
- Twenty-Seven
- Twenty-Eight
- Twenty-Nine
- Thirty
- Thirty-One
- Thirty-Two
- Thirty-Three
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Thirty-Four
- Thirty-Five
- Thirty-Six
- Thirty-Seven
- Thirty-Eight
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Thirty-Nine
- Forty
- Forty-One
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Forty-Two
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Forty-Three
- Forty-Four
- Forty-Five
- Forty-Six
- Forty-Seven
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Forty-Eight
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Forty-Nine
- Fifty
- Fifty-One
- Fifty-Two
- Fifty-Three
- Fifty-Four
- Fifty-Five
- Fifty-Six
- Fifty-Seven
- Fifty-Eight
- Fifty-Nine
- Sixty
- Priory Hospital North London: 20 December 2019
- Acknowledgements
- About the Publisher
I get out and look back down the road, and first I see just the bike – it’s bent and broken – and, after I’ve thought how hitting that will definitely have damaged the paintwork, I think: that’s odd. Why would a bike hit my car? And I take a few more steps and then I see a trainer – an Adidas trainer, and another one, with a foot in it, lilac shorts, brown legs and then there she is, lying splayed in the road; her, and the bits and pieces from her basket scattered across the tarmac. I remember a stick of French bread, and fat, juicy tomatoes, their skins split, spilling seeds, nestled on the verge as if they’d grown there.
And at that moment I still think she’s going to get up and brush herself off. I’ve never witnessed anything like this, and I can’t comprehend that she isn’t okay. The enormity of the scene doesn’t catch up with me. I run over to her and drop down on my knees next to her. Her face is fine, unbruised, her skin a little tanned from the sun, a smattering of freckles across her cheeks, but one earring is missing, knocked out by the impact. I see it on the ground next to her, and I pick it up and hold it out, thinking: ‘You’ll want that back.’
But the girl can’t speak; she just looks at me, her eyes pleading silently with me to do something, anything, to save her. There’s a gurgle in her throat and a creeping pool of blood seeping out from under her head but I can’t move because I realize then that she’s dying. I do nothing but stare at her, paralyzed with shock, my hand clutching her earring, and our eyes are locked at the very moment her life leaves her.
Not only do I kill her, but I fail her, too. Grace is right: the girl dies on the road, without love or comfort, in front of a stranger. Those brightly coloured flowers on the verge are the last thing she sees. Those birds cheeping overhead – the birds that have haunted me ever since – are the last thing she hears, and I know nothing of who the girl is, of what her hopes and dreams are. I don’t know that she’s my age; that she’s just got her A-level results, too. I don’t even know her name. What I do know is that she’s dead and that there’s nothing I can do for her now. Numb with shock, I look around. I see that there’s not a single witness, and I edge back towards the car on legs of jelly. I climb into the car, and for another terrified, confused moment, I think. Then I start the engine and make an even bigger mistake: I drive away.
I saw nothing.