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Chapters (82)
  1. Cover
  2. Praise for The House of Whispers
  3. Title Page
  4. Note to Readers
  5. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  6. One
  7. Two
  8. Three
  9. Four
  10. Five
  11. Six
  12. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  13. Seven
  14. Eight
  15. Nine
  16. Ten
  17. Eleven
  18. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  19. Twelve
  20. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  21. Thirteen
  22. Fourteen
  23. Fifteen
  24. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  25. Sixteen
  26. Seventeen
  27. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  28. Eighteen
  29. Nineteen
  30. Twenty
  31. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  32. Twenty-One
  33. Twenty-Two
  34. Twenty-Three
  35. Twenty-Four
  36. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  37. Twenty-Five
  38. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  39. Twenty-Six
  40. Twenty-Seven
  41. Twenty-Eight
  42. Twenty-Nine
  43. Thirty
  44. Thirty-One
  45. Thirty-Two
  46. Thirty-Three
  47. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  48. Thirty-Four
  49. Thirty-Five
  50. Thirty-Six
  51. Thirty-Seven
  52. Thirty-Eight
  53. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  54. Thirty-Nine
  55. Forty
  56. Forty-One
  57. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  58. Forty-Two
  59. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  60. Forty-Three
  61. Forty-Four
  62. Forty-Five
  63. Forty-Six
  64. Forty-Seven
  65. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  66. Forty-Eight
  67. Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
  68. Forty-Nine
  69. Fifty
  70. Fifty-One
  71. Fifty-Two
  72. Fifty-Three
  73. Fifty-Four
  74. Fifty-Five
  75. Fifty-Six
  76. Fifty-Seven
  77. Fifty-Eight
  78. Fifty-Nine
  79. Sixty
  80. Priory Hospital North London: 20 December 2019
  81. Acknowledgements
  82. About the Publisher

‘Why would I be?’

‘Because it’s your neck of the woods. I don’t want you thinking I’m stamping on your turf. And I was hoping you’d come house-hunting with me one weekend. Both of us go down there, have a look around. Maybe stop in at the retreat I was at for a bit of R&R. Have you ever done yoga?’

My heart thumped in my throat; blood rushed in my ears. ‘I’m busy with my work,’ I said. ‘The exhibition’s less than a month away and I still have three pictures to do. And Rohan’ll be back permanently soon.’

‘He can come too. I’m sure he’d like to see Kent…’ She left the sentence hanging. No reply needed. A smile crept across her face as she nodded. ‘Just the two of us, then.’

The roaring in my ears was a tsunami. I ran to the door, scrambled to wrench it open, frantic to get away from her voice, which wrapped itself around me like coils of pond weed intent on dragging me down. Grace’s voice followed me, childlike, taunting, as I sank into the depths of the hall.

‘What’s wrong, Abs? Are you afraid of something?’

Upstairs, I slammed the attic door closed behind me and locked it from the inside. Then I cut my arm again, drawing the blade of my scalpel repeatedly across virgin flesh and leaking my blood into a jar before mixing it with the paint. I had to work quickly, before the blood coagulated, but it was a large area. It would take far more blood than I’d first thought.

Fifty-One

Grace was at work when Francesca came to view the paintings. Nearly two weeks had passed, and Grace had said nothing more about me going down to Kent and I’d focused only on completing the series. The seventh painting was finished, as was the eighth. Here, Grace was no more than a shadow, a smudge of a person, her features indistinct; just scattered eyelashes and the print of her lips; little more than a blur of pinks, lilacs and the greys of her fifty-something hair blended and imploding backwards through the canvas as if she were being sucked out of the universe by an unseen force.

The ninth showed only the edges of what could have been: the sense of a hole; the will-o’-the-wisp that might be a person in the blank canvas of the cosmos. Viewers, I knew, would stand in front of it, tilting their heads this way and that as they struggled to catch the gist of the colours that were maybe there, maybe not. It was an image that made my throat sore and my chest tight. It was an image of extinction.