Chapters (82)
- Cover
- Praise for The House of Whispers
- Title Page
- Note to Readers
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- One
- Two
- Three
- Four
- Five
- Six
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Seven
- Eight
- Nine
- Ten
- Eleven
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Twelve
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Thirteen
- Fourteen
- Fifteen
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Sixteen
- Seventeen
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Eighteen
- Nineteen
- Twenty
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Twenty-One
- Twenty-Two
- Twenty-Three
- Twenty-Four
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Twenty-Five
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Twenty-Six
- Twenty-Seven
- Twenty-Eight
- Twenty-Nine
- Thirty
- Thirty-One
- Thirty-Two
- Thirty-Three
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Thirty-Four
- Thirty-Five
- Thirty-Six
- Thirty-Seven
- Thirty-Eight
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Thirty-Nine
- Forty
- Forty-One
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Forty-Two
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Forty-Three
- Forty-Four
- Forty-Five
- Forty-Six
- Forty-Seven
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Forty-Eight
- Transcript of interview with Mr Rohan Allerton, husband of Abigail Allerton: 20 December 2019
- Forty-Nine
- Fifty
- Fifty-One
- Fifty-Two
- Fifty-Three
- Fifty-Four
- Fifty-Five
- Fifty-Six
- Fifty-Seven
- Fifty-Eight
- Fifty-Nine
- Sixty
- Priory Hospital North London: 20 December 2019
- Acknowledgements
- About the Publisher
‘Knock, knock!’ she called, but already she was peering past me, moving her neck like a meerkat and I was in front of her, my arms wide, sidestepping, trying to block her view. I was fast, but maybe not fast enough. Even as her mouth fell open and her skin drained of colour, I grabbed her shoulders and spun her around, pushing her so hard out of the door that she stumbled down the first few steps and landed hard on her backside.
I locked the attic door, my hands shaky, while she gathered herself and got to her feet, rubbing at her hip. I towered above her on the dark stairs, my heart thumping. Her face was a moon of white below me. How much had she seen?
‘I’ll just get changed.’ Grace turned abruptly, crossed the landing and shut the door with a click. I stumbled after her and lifted my hand to knock, wanting to follow her, wanting to ask her what she saw, wanting to explain, but my hand fell back down. What could I say to her?
I slumped onto the top step, my body scrunched like a child as I hugged my knees to my chest. How could I ever let her see the way I’d tortured and destroyed her in the portraits, suffocating her, strangling her, drowning her, pulling her flesh apart before extinguishing her? Aside from the first two and the last, these images were the antithesis to what she’d imagine. Worse, she’d see, right there in glorious colour, exactly how I felt about her. It was one thing for me to paint those images in private, but I don’t know what I’d imagined would happen when Grace finally saw the portraits – as she inevitably would – at the gallery, if not at home.
What had that website said about toxic friends? Prepare for retaliation.
I’d buried my head in the sand, losing myself in the creative process and ignoring the inevitable fallout that would follow. But of course, it was an issue. I stiffened, my hand reaching for my phone. I could phone Francesca and call off the exhibition; tell her I couldn’t go through with it. But even as the thought crystallized, I knew it wouldn’t work. She would argue with me; rope in Rohan. The pair of them would think I was having an ‘artistic wobble’ or a ‘moment’; they’d hustle around me, reassuring me how good I was.
But this wasn’t about my faith in myself. I knew those paintings were sensational.