Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

It’s a pas de deux with Mother Ocean at her most girlish and playful. Quickly Tashi gets into a rhythm, the interval between crests is known to his body more than his eyes, and sometimes he takes off on a wave without even looking at it. He wonders if the blind could surf, concludes it would be possible.

Well. Of course waves are variable; like snowflakes, there are no two the same. And in the dark they bring a lot of surprises, sudden wall-offs, unexpected bowls, backwash ripples and so forth, which catch Tash off guard and knock him down. No big deal, it’s interesting, a challenge. But the neat thing is that about the time he is getting tired of the unexpected variable dumping him, the stars in the east dim, and the sky grows blue. The water is quick to soak up the sky’s color, as always. Tash finds himself skimming over a velvet blue like the sky in Jim’s orange crate posters, a pure, intense, glossy, rich, blue blue. Wow. And he can see a lot more of the wave’s surface. It’s so glassy that he looks at one smooth wall about to crunch him and decides he must need a haircut: wild-haired guy grinning back at him like an Oriental Neptune, surfing inside the wave like the dolphins do. Who knows, maybe it was Neptune.

The best part of the day. A renewable miracle: always so astonishing, this power of the ocean to resist humans. Here he lives in one of the most densely populated places in the world, and all he has to do is swim a hundred yards offshore and he’s in a pure wilderness, the city nothing but a peculiar backdrop. Wildlife refuge, and him the wildlife.

Not only that, but the tide is going out and the waves are getting hollower and hollower, little four-foot tubes tossed into existence for the five seconds necessary to stall back into them, so that he can clip along in a spinning blue cylinder that provides swirling floor walls and roof, with a waterfall fringe at the open end, leading back out into the world. Might as well be in a different dimension when you’re in the tube, it is such a wonderful feeling. Tubed, man! How tubular!

Ah, but good times are like tubes, here briefly and then gone forever. There’s enough light now for anyone to surf; and within half an hour or so, just about anyone is surfing.

Little clumps of bright wetsuits up and down off each groin.

Scattered surfers between the clumps, hoping for anomalous waves.

Spectrum bands, magenta, green, orange, yellow, violet, pink:

Solids and stripes: wetsuits and boards.

Rising and falling.

The concept of play is either bourgeois or primitive, but does that matter?

Looks like a child’s plastic bead necklace, thrown on the water.

The glassy blue water, the waves.