Chapters (90)
- Title Page
- Copyright Notice
- Contents
- Maps
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Acknowledgments
- By Kim Stanley Robinson from Tom Doherty Associates
- Copyright
He eats some potato chips, cleans up the kitchen. He sits down at his little Formica kitchen table; and briefly, head down on his pages, he naps.
While he’s asleep, crouched uncomfortably over the table, he dreams. There’s an elevated freeway on the cliff by the edge of the sea, and in the cars tracking slowly along are all his friends and family. They have a map of Orange County, and they’re tearing it into pieces. His father, Hana, Tom, Tashi, Abe, his mom, Sandy and Angela … Jim, down on the beach, cries out at them to stop tearing the map; no one hears him. And the pieces of the map are jigsaw puzzle pieces, big as family-sized pizzas, pale pastel in color, and all his family take these pieces and spin them out into the air like frisbees, till they stall and tumble down onto a beach as wide as the world. And Jim runs to gather them up, hard work in the loose sand, which sparkles with gems; and then he’s on the beach, trying to put together this big puzzle before the tide comes in—
He starts awake.
He gets up; he has a plan. He’ll track up the Santiago Freeway to Modjeska Canyon and Hana’s house, with his pages, and he’ll sit down under the eucalyptus trees on the lawn outside her white garage, and he’ll wait there till she comes out or comes home. And then he’ll make her read the pages, make her see … whatever she’ll see. And from there … well, whatever. That’s as far as he can plan. That’s his plan.
He goes to the bathroom, quick brushes his teeth and hair, pees, goes out to the car. It’s still dark! Four-thirty A.M., oh well. No time like the present. And he gets in his car and tracks onto the freeway, in his haste punching the wrong program and getting on in the wrong direction. It takes a while to get turned around. The freeway is almost empty: tracks gleaming under the moon, the lightshow at its absolute minimum, a coolness to the humming air. He gets off the freeway onto Chapman Avenue, down the empty street under flashing yellow stoplights, past the dark parking lots and shopping centers and the dark Fluffy Donuts place that stands over the ruins of El Modena Elementary School, past the Quaker church and up into the dark hills. Then onto the Santiago Freeway, under the blue mercury vapor lights, the blue-white concrete flowing under him, the dark hillsides spangled with streetlights like stars, a smell of sage in the air rushing by the window. And he comes to Hana’s exit and takes the offramp, down in a big concrete curve, down and down to the embrace of the hills, the touch of the earth. Any minute he’ll be there.
Acknowledgments
ACKNOWLEDGMENTS