Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

If he did something like that, if he made that his orienting point, then all his books, his culturevulturing, his obsession with the past—all that could be put to use. He recalls Walter Jackson Bate’s beautiful biography of Samuel Johnson, the point in it where Bate speaks of Johnson’s ultimate test for literature, the most important question: Can it be turned to use? When you read a book, and go back out into the world: can it be turned to use?

How did it get this way?

Well, it’s a starting point. A Newport Freeway. You can get anywhere from the Newport Freeway.…

Chapter 52

52

How did it happen?

It was World War Two that began the change, World War Two that set the pattern.

After Pearl Harbor the two thousand Orange County citizens of Japanese origin were gathered up and relocated in a shabby desert camp in Poston, Arizona. And people poured west to wage war. President Roosevelt called for the construction of fifty thousand planes a year, and the little airplane factories in Los Angeles and Orange had room to grow, they had empty farmland around them, every one. Thus the aeronautics industry in southern California had its start.

And the soldiers and sailors came west. They saw Orange County, and it looked just like the labels on the orange crates back home: the broad flat plain, covered with orange trees in their symmetrical rows; long lines of towering eucalyptus trees breaking the land into immense squares; the bare foothills behind, and the snowy mountains behind them; the wide, sandy, empty beaches down at Newport and Corona del Mar; the little bungalows tucked in their gardens, under the grapevine bowers, nestled each in an orange grove all its own.

There were only a hundred and thirty thousand people in all the county, lost in the millions of trees. City boys from the East, farmers from the cold Midwest and the poor South, all children of the Depression—they came out and saw the dream, the Mediterranean vision of a rich and easeful agricultural life, under an eternal sun. They went to the beach on Christmas day. They laughed punch-drunk in warm salt waves. They drove old Fords down the country roads, flashing through the ranked shadows of the eucalyptus trees, drinking beer and laughing with local girls and breathing in the thick scent of the orange blossoms, in the bright sun of February. And they said: When this war is over, I’m coming back here to make my home.