Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

Angela, always first in these things, pulls off her blouse and throws it on the floor of the balcony, in the middle of the marchers. Bra next. Can she get her jeans off while doing the can-can? In a manner of speaking. Howls scale the sky. Clothes begin to fly onto the pile, a flurry of shirts, pants, blouses, silk underwear, boxer shorts. Quickly they’re a ring of naked dancers, as in some pagan rite of spring, they can all feel it and for once it has that quality of primitive sensuousness, no all-American tits-n-ass consciousness in Abe tonight, it’s just the clean joy of having a body, of being able to dance, of Being and Becoming. The way the pink of skin jumps out of the night’s smeary darkness is just part of the joy of it. Freckled Sandy tosses all the couch cushions in the ap onto the big pile of clothing, and then he dives on, swims into the pile, ah-ha, a pile-on here. Naked Humphrey is dancing wallet in hand, can’t just throw that in a pile of other people’s clothes, right? Abe starts howling again, laughing and howling, he can’t get over how good everything feels, how happy every face looks to him, there’s Jim happy, Sandy happy, Angela happy, Tashi and Erica happy, Humphrey happy, all of them dancing in a circle and howling at the sky, Abe dives into the great mass of clothes and people and cushions, clean laundry smell, he’s buried, he’s coming up for air, coming up to be born, like the baby he helped bring into the world just hours before—born out of their clothes, naked, shocked at the pure glossy presence of things, their sensuous reality, their there-ness. For the second time that night Abe Bernard squeezes shut his eyes and wills the moment to stop, to stop while he and all his friends are happy, to stop, stop, stop, stop, stop.

Chapter 32

32

… In the 1790s the area still belonged mostly to the Indians, now called Gabrielinos. The Spanish rarely ventured away from San Juan Capistrano and the El Camino Real, and they avoided the swamps and marshes above Newport Bay, because these were difficult to traverse on foot or horseback.

But during those years the bay had some visitors. A party of French-American colonists, en route to Oregon by way of the long trip around Cape Horn, sailed into the bay and wintered there. The next year a small group returned from Oregon, and they lived on the mesa above Newport Bay for nearly twenty years. These were the first non-Indian residents of the area.