Chapters (90)
- Title Page
- Copyright Notice
- Contents
- Maps
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Acknowledgments
- By Kim Stanley Robinson from Tom Doherty Associates
- Copyright
Angela, always first in these things, pulls off her blouse and throws it on the floor of the balcony, in the middle of the marchers. Bra next. Can she get her jeans off while doing the can-can? In a manner of speaking. Howls scale the sky. Clothes begin to fly onto the pile, a flurry of shirts, pants, blouses, silk underwear, boxer shorts. Quickly they’re a ring of naked dancers, as in some pagan rite of spring, they can all feel it and for once it has that quality of primitive sensuousness, no all-American tits-n-ass consciousness in Abe tonight, it’s just the clean joy of having a body, of being able to dance, of Being and Becoming. The way the pink of skin jumps out of the night’s smeary darkness is just part of the joy of it. Freckled Sandy tosses all the couch cushions in the ap onto the big pile of clothing, and then he dives on, swims into the pile, ah-ha, a pile-on here. Naked Humphrey is dancing wallet in hand, can’t just throw that in a pile of other people’s clothes, right? Abe starts howling again, laughing and howling, he can’t get over how good everything feels, how happy every face looks to him, there’s Jim happy, Sandy happy, Angela happy, Tashi and Erica happy, Humphrey happy, all of them dancing in a circle and howling at the sky, Abe dives into the great mass of clothes and people and cushions, clean laundry smell, he’s buried, he’s coming up for air, coming up to be born, like the baby he helped bring into the world just hours before—born out of their clothes, naked, shocked at the pure glossy presence of things, their sensuous reality, their there-ness. For the second time that night Abe Bernard squeezes shut his eyes and wills the moment to stop, to stop while he and all his friends are happy, to stop, stop, stop, stop, stop.
Chapter 32
32
… In the 1790s the area still belonged mostly to the Indians, now called Gabrielinos. The Spanish rarely ventured away from San Juan Capistrano and the El Camino Real, and they avoided the swamps and marshes above Newport Bay, because these were difficult to traverse on foot or horseback.
But during those years the bay had some visitors. A party of French-American colonists, en route to Oregon by way of the long trip around Cape Horn, sailed into the bay and wintered there. The next year a small group returned from Oregon, and they lived on the mesa above Newport Bay for nearly twenty years. These were the first non-Indian residents of the area.