Chapters (90)
- Title Page
- Copyright Notice
- Contents
- Maps
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Acknowledgments
- By Kim Stanley Robinson from Tom Doherty Associates
- Copyright
“You’ll only do it with me?” Quick grin, mischievous movement against him—“Yes”—and they are back in the world of sex, a duet collaborating in the most fascinating variations on a theme: the kinetic melody with its intense blisses, accompanied by crackling leaves and the odd squeak, hum, moan, grunt, whoah, exhalation, endearment, giggle, and a whole lot of heavy breathing. It’s incredible fun.
Chapter 55
55
They sleep together cuddled like spoons. In the morning Jim wakes to find Hana already at work, painting at a table in the main room. She’s put on a bulky sweater and army fatigues. He watches her, noticing the brusque concentration, the tangled hair, the tree-trunk legs. The indirection that is not really shyness, but some unnamed cousin to shyness. She gets up and walks into the kitchen, passes a mirror without even noticing it. He gets up to run give her a hug. She laughs at him.
“So,” she says after breakfast. “When do I get to read something of yours?”
“Oh, well.” He panics. “I really don’t have anything ready right now.”
And he cringes a little to see the quick grimace on her face. She thinks he’s being stupid. Wonders if he isn’t just lying about his poetry, a bogus artist trying to impress her, with nothing behind it. He can see all that in the quick flow of expression in her face, which is just as quickly suppressed. No, no! But he really is scared; his poetry is so trivial, and there is so little of it, he’s sure her estimation of him will drop radically when she reads it. So he doesn’t want her to. But that desire in itself gives it all away. She might even be imagining it’s worse than it really is. Jim sighs, confused. Hana lets the matter slide.
He fills in as he so often does, by telling tall tales of his friends’ exploits. Tashi and the night surfing. Humphrey’s empty tower. That kind of thing.
After a while Hana looks at the floor. “And when am I going to meet these amazing friends of yours?”
Jim gulps. It’s the same question, isn’t it: do I get to be part of your life? And by God, he wants her to be; he’s forgotten whatever reservations he might have had about her. What were they about, her clothes, her look? Absurd. “There’s a party at Abe’s house tonight. His parents are going on vacation and he has the house to himself. Want to come?”
“Yes.” She smiles, looks up at him.
Jim smiles too. Although he’s remembering that Virginia will probably be there. As well as two dozen other perfect examples of the Modern California Woman. But he doesn’t care, he tells himself. He doesn’t care at all.