Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

“You’ll only do it with me?” Quick grin, mischievous movement against him—“Yes”—and they are back in the world of sex, a duet collaborating in the most fascinating variations on a theme: the kinetic melody with its intense blisses, accompanied by crackling leaves and the odd squeak, hum, moan, grunt, whoah, exhalation, endearment, giggle, and a whole lot of heavy breathing. It’s incredible fun.

Chapter 55

55

They sleep together cuddled like spoons. In the morning Jim wakes to find Hana already at work, painting at a table in the main room. She’s put on a bulky sweater and army fatigues. He watches her, noticing the brusque concentration, the tangled hair, the tree-trunk legs. The indirection that is not really shyness, but some unnamed cousin to shyness. She gets up and walks into the kitchen, passes a mirror without even noticing it. He gets up to run give her a hug. She laughs at him.

“So,” she says after breakfast. “When do I get to read something of yours?”

“Oh, well.” He panics. “I really don’t have anything ready right now.”

And he cringes a little to see the quick grimace on her face. She thinks he’s being stupid. Wonders if he isn’t just lying about his poetry, a bogus artist trying to impress her, with nothing behind it. He can see all that in the quick flow of expression in her face, which is just as quickly suppressed. No, no! But he really is scared; his poetry is so trivial, and there is so little of it, he’s sure her estimation of him will drop radically when she reads it. So he doesn’t want her to. But that desire in itself gives it all away. She might even be imagining it’s worse than it really is. Jim sighs, confused. Hana lets the matter slide.

He fills in as he so often does, by telling tall tales of his friends’ exploits. Tashi and the night surfing. Humphrey’s empty tower. That kind of thing.

After a while Hana looks at the floor. “And when am I going to meet these amazing friends of yours?”

Jim gulps. It’s the same question, isn’t it: do I get to be part of your life? And by God, he wants her to be; he’s forgotten whatever reservations he might have had about her. What were they about, her clothes, her look? Absurd. “There’s a party at Abe’s house tonight. His parents are going on vacation and he has the house to himself. Want to come?”

“Yes.” She smiles, looks up at him.

Jim smiles too. Although he’s remembering that Virginia will probably be there. As well as two dozen other perfect examples of the Modern California Woman. But he doesn’t care, he tells himself. He doesn’t care at all.