Chapters (90)
- Title Page
- Copyright Notice
- Contents
- Maps
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Acknowledgments
- By Kim Stanley Robinson from Tom Doherty Associates
- Copyright
Arthur pins him with a challenging stare. “Trying to make a difference in this world. Virginia thinks that trying to make a difference is a waste of time. I suppose you think the same. You all do. A lot of talk about how bad things are, how we have to change things—but when it comes to a question of action, it turns out to be nothing but talk.”
“Don’t be so sure!”
“No?” Arthur’s tone is careless, his grin sardonic; he looks down to arrange the papers in his bag. Offended, Jim rises to it.
“No! Why don’t you tell me what you have in mind?”
“I’ve got some posters in here. I’m going to do an information blitz in the mall. Here—” He pulls one out, hands it up to Jim without looking at him.
From one angle it’s a holo of a wave at the Pipeline, a perfect tube about to eat some ecstatic goofy-footed surfer. Shift the poster just a bit, though, and it becomes a holo of a dead American soldier, perhaps taken in Indonesia. The legs are gone. Under this apparition bold letters proclaim:
DO YOU WANT TO DIE?
Open Wars in Indonesia, Egypt, Bahrain, and Thailand.
Covert Wars in Pakistan, Turkey, South Korea, and Belgium.
There Are American Soldiers in Every One.
350 of Them Die EVERY DAY.
THE DRAFT IS BACK. YOU COULD BE NEXT.
Jim rubs his chin. Arthur laughs at him. “So?” he taunts. “Want to come with me and put these up?”
“Sure,” Jim says, just to shut off that contemptuous look. “Why not?”
“It could land you in jail, that’s why not.”
“Freedom of speech, right?”
“They have ways around that. Littering. Defacement. These things have to be lased off, they have molecular-ceramics bonds on the back.”
“Hmph. Well, so what? Are you planning to get caught?”
Arthur laughs. “No.” He stares at Jim, a curious look in his eye. Despite the events of the night—Jim’s ping-pong victory, his jump in bed with Arthur’s ex-ally … or perhaps because of them, somehow … Arthur seems to have some curious kind of moral high ground, from which he speaks down to Jim. Jim doesn’t understand this; he only feels it.
“Come on, then.” Arthur’s up and off to the door. Jim follows him out and just has time to register the scowl on Virginia’s face, there in the kitchen. Oops.
“Let’s start at the north end and work our way back here,” says Arthur as they descend to the ground floor of the mall. They get on the empty people mover and track through the complex to South Coast Village, buried under the northward expansion of the mall proper. “Good enough. Let’s keep it fast, say twenty minutes total. But casual. Watch out for the mall police.”