Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

Well, they look a little strange: rumpled, with tear marks evident. As if some paper earthquake has devastated the paper landscape, three times over no less, a recurrent disaster patched up again and again. Well … that sounds about right, actually. A map is the representation of a landscape, after all, and many landscapes, like OC’s, are principally psychic. Besides, there isn’t anything else he can do about it.

He then wanders the living room gathering the torn paper scattered around the desk. This heap of scraps represents the sum total of his writing efforts. Seeing them ripped apart, he feels bad. The stuff on OC’s history didn’t really deserve this. Well … it’s all still here, in the pile somewhere. He begins to inspect each piece of paper, spreading them over the couch in a new order, until all the fragments have been reunited. He tapes the pages together as he did the maps. After that he reads them, throws away everything except the historical pieces. Other than those, he will start from scratch.

When he’s done with that job he gets out the vacuum cleaner and sucks the dust up from everywhere the thing can reach. Sponge and cleanser, dust rag, paper towels and window cleaner, laundry whitener for spots on the walls … he goes at it furiously, as if he were on a hallucinogen and had conceived a distaste for clutter and dirt, seeing it in smaller and smaller quantities. Music from his little kitchen radio, luckily overlooked in the purge, helps to power him; the latest by Three Spoons and a Stupid Fork:

You are a carbrain

You’re firmly on track

You’re given your directions

And you don’t talk back

You’re very simply programmed

And you don’t have much to say

And you’re gonna have a breakdown

It’ll happen some day.

“Well fuck you!” Jim sings at the radio, and continues the song on his own: “And after the breakdown, the carbrain can see, cleaning all his programs, so he can be free.…”

Yes, there must be an order established; nothing fetishistic, but just a certain pattern, symbolic of an internal coherence that is as yet undefined. He’s struggling to find a new pattern, working with the same old materials.…

All his poor abused books are on the couch. Stupid to attack them like that. Luckily most were just thrown around. He props up the bookcase of bricks and boards, starts to reshelve them. Is the alphabet really a significant principle for ordering books? Let’s try putting them back arbitrarily, and see what comes of it. Make a new order.