Chapters (90)
- Title Page
- Copyright Notice
- Contents
- Maps
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Acknowledgments
- By Kim Stanley Robinson from Tom Doherty Associates
- Copyright
Well, they look a little strange: rumpled, with tear marks evident. As if some paper earthquake has devastated the paper landscape, three times over no less, a recurrent disaster patched up again and again. Well … that sounds about right, actually. A map is the representation of a landscape, after all, and many landscapes, like OC’s, are principally psychic. Besides, there isn’t anything else he can do about it.
He then wanders the living room gathering the torn paper scattered around the desk. This heap of scraps represents the sum total of his writing efforts. Seeing them ripped apart, he feels bad. The stuff on OC’s history didn’t really deserve this. Well … it’s all still here, in the pile somewhere. He begins to inspect each piece of paper, spreading them over the couch in a new order, until all the fragments have been reunited. He tapes the pages together as he did the maps. After that he reads them, throws away everything except the historical pieces. Other than those, he will start from scratch.
When he’s done with that job he gets out the vacuum cleaner and sucks the dust up from everywhere the thing can reach. Sponge and cleanser, dust rag, paper towels and window cleaner, laundry whitener for spots on the walls … he goes at it furiously, as if he were on a hallucinogen and had conceived a distaste for clutter and dirt, seeing it in smaller and smaller quantities. Music from his little kitchen radio, luckily overlooked in the purge, helps to power him; the latest by Three Spoons and a Stupid Fork:
You are a carbrain
You’re firmly on track
You’re given your directions
And you don’t talk back
You’re very simply programmed
And you don’t have much to say
And you’re gonna have a breakdown
It’ll happen some day.
“Well fuck you!” Jim sings at the radio, and continues the song on his own: “And after the breakdown, the carbrain can see, cleaning all his programs, so he can be free.…”
Yes, there must be an order established; nothing fetishistic, but just a certain pattern, symbolic of an internal coherence that is as yet undefined. He’s struggling to find a new pattern, working with the same old materials.…
All his poor abused books are on the couch. Stupid to attack them like that. Luckily most were just thrown around. He props up the bookcase of bricks and boards, starts to reshelve them. Is the alphabet really a significant principle for ordering books? Let’s try putting them back arbitrarily, and see what comes of it. Make a new order.