Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

Abe holds the spliff between thumb and forefinger, speaks to it softly. “It’s getting so that anytime I can hear that sound”—glancing up briefly at the freeway—“or, or anytime I see a stream of headlights flowing red white, I hear the snips ripping through the metal. I hear the cutting hidden in the rest of the sound, sometimes I even hear some poor torn-up bastard moaning—just in the freeway sounds!”

He’s squishing the spliff flat, and suddenly he hands it back to Jim.

“And following taillights is like blood over exposed bone, red on white, you know the headlights, so bright coming at you … I mean I really see that.”

His voice is going away, Jim can barely hear his words. “The way the cars crumple and shear, and the blood—there’s a lot of it in a body. And their faces always look so—like Lillian’s face, it was so…” He’s shaking now, his whole body is racked with shaking, his face is contorted in the mask that faces go to when crying is stopped short no matter the cost to the muscles. Abruptly he stands again.

As if on a string Jim stands too. Tentatively he puts a hand to his friend’s shoulder. “It’s your work, Abe. It’s hard work, but it’s good work, I mean we need it. It’s what you want to do—”

“It’s not what I want to do! I don’t want to do it anymore! Man, haven’t you been listening?” He jerks away from Jim, turns and paces around him like a predatory animal. “Pay attention, will you?” he almost shouts. “I’m going crazy out there, I tell you, I can’t even do my job anymore!”

“Yes you can—”

“I cannot! How do you know? Don’t tell me what I can or can’t do out there—so fucking glib—” He reaches up and takes a wild swing at Jim’s upraised hand, hits it away, swings again and backhands Jim on the chest, for an instant he looks like he’s going to beat Jim up, and appalled Jim holds his arms up across his chest to take the blows—

Abe stops himself, shudders, twists away, takes off rapidly down the street; turns, wavers indecisively, plops down on the curb and leans over the gutter, face between his knees, buried in his hands. And there he rocks back and forth, back and forth.

Jim, frightened, his throat crimped tight at the sudden exposure to so much pain, stands there helplessly. He doesn’t know what to do, doesn’t have any idea what Abe might want him to do.

After a long while he walks down the street, and sits down next to Abe, whose rocking gets slower and slower as his shaking subsides. They both just sit there.