Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

He goes to the funeral the next morning, and stands at the back of the chapel at Fairhaven Cemetery. Watches the ceremony dully. He knew Lillian Keilbacher mostly in churches, he thinks. There was a time in high school when he was volunteered by Lucy to help build the Bible school on the back of the church lot; the church was too poor to hire a real construction crew, and the work was all volunteer, led by two churchgoing carpenters who seemed to get a kick out of it all, though it went awfully slowly. Every day that Jim was there he saw a skinny blond girl with braces who had the biggest, most enthusiastic hammer swing you could imagine. The carpenters used to go pale as they watched, but she was surprisingly accurate. That was Lillian. Jim can see perfectly the delighted brace-bright grin of the girl as she knocked a nail all the way in to the wood with one immense swing, Don the head carpenter clutching his heart and spluttering with laughter.…

They move outside into a shaft of sun. The cemetery is under the upper level of the Freeway Triangle, a concrete sky like low threatening clouds, but there is a big skylight gap overhead to let a little sunlight down. They walk slowly behind a hearse as it navigates the complex street plan of the city of the dead. Population over 200,000. Again Jim walks behind, watching the little crowd of people around the Keilbachers, the way they hold together. There is a feeling in their church community, standing on its little island of belief in the flood of twenty-first-century America, a feeling of solidarity that Jim has never experienced again since he stopped going. The camaraderie, the joy they shared, building that little Bible school! And it turned out solid, too, it’s still there. Yes, there’s no doubt Lucy is on to something with her involvement in the church.… But his faith. He has no faith. And it can’t be faked. And without faith.…

Beyond the last row of graves is an orange grove, standing under a big skylight. The procession is in shade now, under the concrete underside of the Triangle, and the wide shaft of light falling on the green-and-orange trees is thick with dust, very bright. The trees are almost spheres, sitting on the ground: green spheres, dotted with many bright orange spheres. It’s the last orange grove in all of Orange County. It belongs to the cemetery, and is slowly being taken out to make room for the dead.

The ceremony at graveside is short. No sign of Abe, Jim notes. He excuses himself to a disapproving Lucy, and slips off; the idea of a wake is too much.

He tracks up Saddleback Mountain, listening to Beethoven’s Hammerklavier Sonata. There’s no one home at Abe’s place.