Chapters (90)
- Title Page
- Copyright Notice
- Contents
- Maps
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Acknowledgments
- By Kim Stanley Robinson from Tom Doherty Associates
- Copyright
Jim’s depressed. He’s a part-time word processor for a title and real estate company, a part-time night school teacher at Trabuco Junior College. His father thinks he’s a failure; his friends think he’s a fool. This last has been his angle, of course, he’s cultivated it because laughs are at a premium among his friends, and they’re all comedians; the fool routine keeps Jim from being nothing more than part of the laughtrack. But it can get old, old, old. How much nicer it would be to be … well, something else.
Sandy shows up, three hours late to his own party. SOP. “Hellooo!” he shouts, and Angela Mendez his ally comes over to give him a kiss. He moves on, his pale freckled skin flushed with excitement. “Hey, hello! Why are you just sitting there?” He goes to the music wall, cranks the volume up to say a hundred thirty decibels, Laura’s Big Tits singing “Want Becomes Need” over thick percussion that sounds like twenty spastics in a room full of snare drums. “Yeah!” Sandy pulls some girls off the long beige couch in the video room, starts them dancing around the screens hanging from the ceiling, he won’t be satisfied until everyone is dancing for at least one number, this is understood and everyone gets up and starts to bounce, happy at the action. Sandy flies from dancer to dancer, shoves his face right in theirs, psycho grin pulsating, pale blue eyes popping like they might fall out and bob at the end of springs any second now: “You look too normal! Try this!” And they’re holding eyedroppers full of Sandy’s latest, Social Affability, Apprehension of Beauty, Get Wired, who knows what the little label will say this time, but it’s sure to be fun. Sandy’s the best drug designer in OC—famous, really. And he doesn’t disdain the old-fashioned highs either. Angela is mixing pitchers of margaritas in the kitchen, Sandy is stopping at certain broad-leafed houseplants and pulling giant spliffs from hiding places, lighting them with a magnum blowtorch, throwing them at people, shouting, “Smoke this!” Jim, looking in from the balcony, can only laugh. There is a Sandy who is subtle, thoughtful, quick-witted, a culturevulture in Jim’s own league; but that isn’t him in there, putting the jumper cables to his own party. Time for a different act: Wired Host. Is there an eyedropper with that on the label?
Jim goes to work on an eyedropper called Pattern Perception (so his name has been chosen!), with a couple whose names he can almost remember. Blink, blink. Are those stars or streetlights? “I’m fourth-generation OC,” he tells them apropos of nothing. “I have it in my genes, this place, I have a race memory of what it used to be like when the orange groves were here.”
“Uh-huh.”