Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

Jim’s depressed. He’s a part-time word processor for a title and real estate company, a part-time night school teacher at Trabuco Junior College. His father thinks he’s a failure; his friends think he’s a fool. This last has been his angle, of course, he’s cultivated it because laughs are at a premium among his friends, and they’re all comedians; the fool routine keeps Jim from being nothing more than part of the laughtrack. But it can get old, old, old. How much nicer it would be to be … well, something else.

Sandy shows up, three hours late to his own party. SOP. “Hellooo!” he shouts, and Angela Mendez his ally comes over to give him a kiss. He moves on, his pale freckled skin flushed with excitement. “Hey, hello! Why are you just sitting there?” He goes to the music wall, cranks the volume up to say a hundred thirty decibels, Laura’s Big Tits singing “Want Becomes Need” over thick percussion that sounds like twenty spastics in a room full of snare drums. “Yeah!” Sandy pulls some girls off the long beige couch in the video room, starts them dancing around the screens hanging from the ceiling, he won’t be satisfied until everyone is dancing for at least one number, this is understood and everyone gets up and starts to bounce, happy at the action. Sandy flies from dancer to dancer, shoves his face right in theirs, psycho grin pulsating, pale blue eyes popping like they might fall out and bob at the end of springs any second now: “You look too normal! Try this!” And they’re holding eyedroppers full of Sandy’s latest, Social Affability, Apprehension of Beauty, Get Wired, who knows what the little label will say this time, but it’s sure to be fun. Sandy’s the best drug designer in OC—famous, really. And he doesn’t disdain the old-fashioned highs either. Angela is mixing pitchers of margaritas in the kitchen, Sandy is stopping at certain broad-leafed houseplants and pulling giant spliffs from hiding places, lighting them with a magnum blowtorch, throwing them at people, shouting, “Smoke this!” Jim, looking in from the balcony, can only laugh. There is a Sandy who is subtle, thoughtful, quick-witted, a culturevulture in Jim’s own league; but that isn’t him in there, putting the jumper cables to his own party. Time for a different act: Wired Host. Is there an eyedropper with that on the label?

Jim goes to work on an eyedropper called Pattern Perception (so his name has been chosen!), with a couple whose names he can almost remember. Blink, blink. Are those stars or streetlights? “I’m fourth-generation OC,” he tells them apropos of nothing. “I have it in my genes, this place, I have a race memory of what it used to be like when the orange groves were here.”

“Uh-huh.”