Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

“Then there’s the commercial streets, big ones with parking lots flanking them and all the businesses behind the parking lots, or on them. Like Tustin Avenue, right down there.” He points north.

“Or Chapman.” “Or Bristol.” “Or Garbage Grove Boulevard.” “Or Beach.” “Or First.” “Or MacArthur.” “Or Westminster.” “Or Katella.” “Or Harbor.” “Or Brookhurst.”

“Yeah yeah yeah!” Tashi interrupts them. “Point proven! There are many commercial streets in OC. But they all are one.”

“I wonder,” Sandy says dreamily, “if you blindfolded someone and spun them around to disorient them, then took off the blindfold somewhere on one of the commercial streets, how long it would take them to identify it?”

“Forever,” Tash opines. “They’re indistinguishable. I think they made a one-mile unit and then just reproduced it five hundred times.”

“It would be a challenge,” Sandy muses. “A sort of game.”

“Not tonight,” Abe says.

“No?”

“No.”

“The third kind of street,” Tashi forges on, “is the residential street, class A. The suburban streets of the housing tracts. Please don’t start naming examples, there are ten zillion.”

“I like the cute curly ones in Mission Viejo,” Sandy says.

“Or the old cul-de-sac exclusive models,” Jim adds.

“And the fourth type?” says Abe.

“Residential street, class B. The urban ap streets, like down there in Santa Ana.”

“A lot of that’s original platting,” Jim says. “Now it’s as close to slums as we’ve got.”

“As close to slums?” Abe repeats. “Man, they’re there.”

“I guess you’re right.”

“There’s a fifth kind of street,” Sandy announces.

“You think so?” Tash asks, interested.

“Yeah. I guess you could call it the street-freeway. It’s a street, but there’s nothing facing it at all—it’s backed by housing-development walls, mostly, and there’s no shops, no pedestrians—”

“Well, none of them have pedestrians.”

“True, but I mean even less than usual. They’re just avenues for tracking fast where there aren’t freeways.”

“Negative numbers of pedestrians?”

“Yeah, we use those a lot,” Abe says. “Like Fairhaven, or Olive, or Edinger.”

“Exactly,” Sandy says.

“Okay,” Tash agrees. “We’ll make it five. There are five streets in OC.”

“Do you think it’s because of zoning laws?” Jim asks. “I mean, why is that?”

“More use habits than zoning, I’d bet,” Tash says. “Stores like to be together, housing developments are built in group lots, that kind of thing.”

“Each street has a history,” Jim says, staring out the window with his mouth hanging open. “My God!”

“Better get writing, Jim.…”