Chapters (90)
- Title Page
- Copyright Notice
- Contents
- Maps
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- Chapter 70
- Chapter 71
- Chapter 72
- Chapter 73
- Chapter 74
- Chapter 75
- Chapter 76
- Chapter 77
- Chapter 78
- Chapter 79
- Chapter 80
- Chapter 81
- Chapter 82
- Chapter 83
- Acknowledgments
- By Kim Stanley Robinson from Tom Doherty Associates
- Copyright
“Maybe so. Let’s get the drums back on deck.”
Tashi descends and they quickly lift the metal drums out of the cabins. The cat is slower in the water with the drums aboard, but the effect is least when they’re clumped right behind the mast, so that’s where they put them.
Tashi takes the tiller and brings them in past the reefs of Reef Point, a beachless point on the continuous fifty-foot bluff that makes up the old “Irvine coast,” from Corona del Mar to Laguna. The top of the bluff in this area is occupied by a big industrial complex; just to its right are the condos of Muddy Canyon.
Tash motors them further in, out of view of the buildings on the bluff above them. “That’s where Jim’s dad works,” Tashi says as he luffs to a stop in waist-deep water, just outside the shorebreak. Happily it’s a day without surf. “That’s Laguna Space Research, right above us.” He tosses the boat’s little anchor over the side. “Hurry up, Sandy, those cutters were coming south pretty fast.”
He jumps overboard and Sandy picks up the drums and hands them down to him. Both of them handle the drums as if they were empty; adrenaline is about to replace their blood entirely. Tash takes the drums onto one shoulder and runs them up the mussel-and-seaweed-crusted boulders at the base of the sandstone bluff. He puts them into gaps between boulders, roots around like a mad dog to find small loose boulders to place over them. Sandy jumps in and rushes from boat to shore with the drums, huffing and puffing, splashing in the small shorebreak, skidding around on the slick rock bottom in search for better footing. They both are panting in great gasps as the sprint exertions catch up with them.
Then all the drums are hidden and they’re back on the boat and motoring offshore. No sight of other boats. Ten minutes, perhaps, for the whole operation, although it felt like an hour. Whew.
They motor west until they can circle around and approach Newport again, from out to sea. Sure enough, off Newport harbor they’re stopped by a Coast Guard cutter, and searched very closely indeed. It’s a first for both of them, although it resembles police searches of their cars on land. Sandy has thrown all the eyedroppers overboard, and he is polite and cooperative with the Guardsmen. Tash is grumpy and rude; they’re doing good detainee/bad detainee, just out of habit.
Search done, the Guardsmen let them go impassively. They motor on into the harbor, subdued until they get into the slip and are off the boat, onto the strangely steady, solid decking. Back to the parking lot and Sandy’s car, away from the scene of the crime, so to speak. Now, no matter what happens to the Rhinoceros, they are safe.
“Pretty nerve-racking,” Tash says mildly.