Back The Gold Coast
Chapters (90)
  1. Title Page
  2. Copyright Notice
  3. Contents
  4. Maps
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Acknowledgments
  89. By Kim Stanley Robinson from Tom Doherty Associates
  90. Copyright

The Gay/Lesbian Adult Video Theater, A Kentucky Colonel’s.

Your dingy apartment complex. You live there.

A retail furniture warehouse outlet.

A robotics and camera discount repair shop.

Two used-car lots. A Pizza Hut.

Yes, despite theory, the monad still exists.

Here you are, right?

A coin and map store. A dance hall.

The parking lot fronting all these establishments. The cars.

Billboards, traffic signals, street lights, street signs,

Telephone wires scoring the sour milk sky,

and so on, out to where parallax brings the tracks and the two sides of the long straight boulevard together. In short, the OC commercial street, which one can see repeated a hundred times anywhere in the county. But no sign of an accident.

“Well?” says Abe.

“Let’s try the address they gave us.”

“But,”—they track around to Emerson Street backing Garden Grove Avenue—“it’s just the back lot for the furniture outlet, isn’t it?”

“Yeah, but observe, there’s maybe some aps tucked on top of it there. A look is in order.”

Abe shakes his head. “Looks suspiciously like police work to me.”

They get out of the truck and walk up the outside of the building on concrete stairs that rise above an alley between buildings. The alley is filled with gray metal trash dumpsters and flattened cardboard boxes of immense size. At the top of the stairs is a wooden door that’s been kicked open a lot, once painted an orange that’s faded to dusty yellow. Xavier raises a fist to knock and there’s a sudden yelping, like a dog in pain. They look at each other. Xavier knocks.

“Keep out! Ah, God—get the fuck out of here!” It’s a woman’s voice, hoarse and wild.

“Hmm,” says Xavier. Then he calls out: “Rescue squad, ma’am!”

“Oh! Oh, you! Help! Help!”

Xavier shrugs, tries to open the door. It’s locked. “Your door is locked!”

“Don’t bust it! He’ll evict me—ahh! Ahh! Help!”

“Well, come open up, then!”

“Can’t!”

“Well.” Xavier looks at the door, jiggles the knob. Nothing doing.

“Help, damn you!”

“We’re trying, lady! It’d be easier if you hadn’t locked your door!” X looks around. “Here, Abe, the kitchen window is just over the rail, and it’s open. It looks like you’d just about fit in.”

Abe looks at the little window dubiously. “It’s too small. Besides, it’s hanging out over the alley!”

“No it’s not. Give it a try, I’ll hold on to you.”