Back The Dictionary of Lost Words
Chapters (42)
  1. Map
  2. Prologue | February 1886
  3. PART 1 | 1887–1896
  4. May 1887
  5. April 1888
  6. April 1891
  7. August 1893
  8. September 1896
  9. PART 2 | 1897–1901
  10. August 1897
  11. April 1898
  12. September 1898
  13. August 1901
  14. PART 3 | 1902–1907
  15. May 1902
  16. May 1906
  17. June 1906
  18. December 1906
  19. March 1907
  20. PART 4 | 1907–1913
  21. September 1907
  22. November 1907
  23. November 1908
  24. May 1909
  25. December 1912
  26. January 1913
  27. May 1913
  28. PART 5 | 1914–1915
  29. August 1914
  30. May 1915
  31. July 1915
  32. September 1915
  33. PART 6 | 1928
  34. November 1928
  35. Epilogue | Adelaide, 1989
  36. Author’s Note
  37. Dedication
  38. Acknowledgements
  39. Timeline of the Oxford English Dictionary
  40. Timeline of Major Historical Events Featured in the Novel
  41. About the Author
  42. What’s next onyour reading list?

“Goodness, are you all right?” He took my elbow. “You need to sit down before you faint.” He opened the nearest door and sat me on a chair just inside it. “I hope the noise doesn’t bother you, miss. Take a minute and I’ll be right back with a glass of water.”

It was the printing room, and it was, indeed, noisy. But there were rhythms on top of rhythms, and trying to separate them settled my panic. I checked the slips: one, two, three…I counted to thirty. None were missing. I secured their string and put them back in the satchel. When the man returned, I had my face in my hands, all the emotion of the past hour risen to the surface and hard to contain.

“Here, have this,” he said, crouching and offering the glass of water.

“Thank you,” I said. “I’m not sure what came over me.”

He gave me his hand and helped me up from the chair. His gaze lingered on my funny fingers, and I withdrew them.

“Do you work in here?” I asked, looking beyond him into the printing room.

“Only if a machine needs some tinkering,” he said. “Mostly I set the type. I’m a compositor.”

“You make the words real,” I said, finally looking at him. His eyes were almost violet. It was the young compositor who’d been standing with Mr. Hart and Mr. Bradley on my first visit.

He tilted his head, and I thought he might not understand what I meant. But then he smiled. “I prefer to say that I give them substance—a real word is one that is said out loud and means something to someone. Not all of them will find their way to a page. There are words I’ve heard all my life that I’ve never set in type.”

What words? I wanted to ask. What do they mean? Who says them? But my tongue had become tied.

“I should go,” I finally managed. “I have to deliver these slips to Mr. Hart.”

“Well, it was nice to bump into you, Esme,” he said, smiling. “It is Esme, isn’t it? We were never actually introduced.”

I remembered his eyes but not his name. I stood stupid and mute.

“Gareth,” he said, holding out his hand, again. “Very pleased to meet you.”

I hesitated, then returned my hand to his. He had long tapered fingers and a strangely bulbous thumb. My gaze lingered.

“Pleased to meet you too,” I said.

He opened the door and saw me into the hallway.

“You know the way?”

“Yes.”

“Right then. Go carefully.”

I turned and headed to the Controller’s office. It was a relief to hand over the bundles of slips.