Back The Creeps Save as PDF
Contents (41)
  1. I
  2. II
  3. III
  4. IV
  5. V
  6. VI
  7. VII
  8. VIII
  9. IX
  10. X
  11. XI
  12. XII
  13. XIII
  14. XIV
  15. XV
  16. XVI
  17. XVII
  18. XVIII
  19. XIX
  20. XX
  21. XXI
  22. XXII
  23. XXIII
  24. XXIV
  25. XXV
  26. XXVI
  27. XXVII
  28. XVIII
  29. XXIX
  30. XXX
  31. XXXI
  32. XXXII
  33. XXXIII
  34. XXXIV
  35. XXXV
  36. XXXVI
  37. XXXVII
  38. XXXVIII
  39. XXXIX
  40. Acknowledgments
  41. Contents

“Since we’re all here,” said Maria, “we may as well get some work done on our project.”

Tom groaned.

“I hate this project. I have to look at old buildings and try to find something to say about them other than that they’re a bit gloomy and should probably have been demolished a long time ago. Yesterday I nearly got knocked out by a piece of brick that dropped off one of them. I’m lucky to be alive. Whose idea was it to write about Hilary Mould anyway?”

“It was mine,” said Maria icily. “And you really will be lucky to stay alive if you don’t stop complaining. We either studied the Mould buildings or spent our Saturdays wandering around shopping centers counting shoe shops. At least Mould is interesting.”

“Only if you’re a depressed pigeon with no friends,” said Tom. “And then there’s that business with his statue.”

They all agreed that the statue was odd. Nobody ever saw it moving around. It would be in one place for an hour, or a day, or a week, and then it would be somewhere else. Some weeks earlier, Maria had suggested that their science class should do a study of the statue, but Mr. Lugosi, the science teacher, didn’t believe it was a good idea.

“Who knows what might happen if we start paying attention to it?” he said, a statement which led Maria to suspect that Mr. Lugosi wasn’t really cut out to teach science.

“Perhaps it’s a quantum statue,” Tom had suggested, “so that it’s in every possible place in Biddlecombe until someone observes it.”

“Very clever, Hobbes,” said Mr. Lugosi, “except that the statue appears to have only six known preferred locations.”

“Sir?” called Mooch, who always sat at the back of the class and walked with a slight stoop, as though auditioning for the role of bell ringer in an old cathedral.

“Yes, Mooch?”

“Seven, sir.”

“Seven what?”

“Seven places the statue seems to prefer.”

“Why do you say that, Mooch?”

“Sir, it’s outside the window.”

And it was.

“Don’t look at it,” said Mr. Lugosi. “Ignore it and it will go away.”

Everybody ignored Mr. Lugosi instead and looked at the statue, but after a while it began to give them the creeps, so they looked away again. Seconds later, the statue had gone.

“If anyone asks, that never happened,” said Mr. Lugosi.

But Maria in particular continued to be intrigued, and when Mr. Franklin, the geography teacher, had told them to form groups of three and come up with a project on buildings and public spaces in Biddlecombe, she had twisted the arms of Samuel and Tom until they’d agreed to look at the work of Hilary Mould. The subject was now quite topical due to the reopening of Wreckit & Sons.

“This bloke Grimly will have to do something pretty spectacular with Wreckit’s if he doesn’t want to send little kids home crying and wondering what the point of life is,” said Tom.