Back The Art of Death Save as PDF
Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

‘We need to go back there and talk to the staff and see if they recall anyone suspicious on that day.’

DC Phillips appears at Klara’s doorway. ‘Ma’am, do you know a Victoria Dunmore-Watson?’

‘Why do you ask?’

‘She’s on the phone and is in a right state. She said she’s been passed from pillar to post since yesterday.’

‘What does she want with me?’

‘She says she is Jamie Blackwell’s PA. She says you and Jamie know each other and that I was to tell you immediately that Jamie has been mugged and kidnapped.’

‘Why does she think that?’

‘Mr Blackwell was on his way to meet a client, apparently, somewhere near Ealing, when his phone went dead after what sounded like a struggle.’

‘Did uniform not respond?’

‘Yes, but Miss Dunmore-Watson doesn’t know where in Ealing this alleged attack took place. She says he’s been missing for a day and insists he’s been kidnapped. Please could you talk with her, ma’am? She’s doing my head in.’

‘Of course.’

A wave of relief passes over Phillips’ face and Archer wonders what she has let herself in for. She follows Phillips back to her desk and picks up the phone.

‘Miss Dunmore-Watson, this is Detective Inspector Archer.’

‘God, you took your time. Jamie is probably lying dead in some horrid ditch or being held to ransom by terrorists, or something.’ Dunmore-Watson’s voice is trembling with agitation.

‘I’m sure Jamie is just fine.’

‘How can you know that? I heard it.’

‘What did you hear?’

‘There was someone else there. Jamie fell and dropped his phone. I called his name but he didn’t respond. Then someone picked up the phone. I could hear them breathing. It wasn’t Jamie. I’m sure of it.’

‘Perhaps he’s home now. Why not try calling him there?’

‘He’s not home! Something’s happened to him. What is it you’re not understanding!’

Archer hears voices shouting across the office and sees Quinn and the rest of the team in Klara’s hub huddled around her computers. Quinn is beckoning to her with an urgent expression.

She mouths ‘one second’ at him.

‘Oh my God!’ cries Victoria Dunmore-Watson.

Something in her tone chills Archer.

‘Miss Dunmore-Watson . . .’

‘Facebook,’ she replies. ‘He’s streaming live on Facebook.’

Archer feels her stomach twisting. She watches the grave expressions on her colleagues’ faces as they watch the screens in front of them. Quinn looks up from the screen and meets her gaze, his eyes wide.

‘I’ll call you back, Victoria.’

‘Wait! Don’t you hang up on me!’

Archer drops the phone and hurries to the hub. On the screens are three different Facebook feeds, each broadcasting the same scene but from different angles. There are three tall and broad vitrines filled with liquid.

There are no bodies yet inside.