Back The Art of Death
Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

‘Rees and Hicks were the alpha males of our section. Hicks was Rees’s unofficial second-in-command, if you know what I mean. They had the younger officers and analysts in the palm of their hands. They were a clique that almost shattered when Rees was arrested. But Hicks kept it going, inserting himself into Rees’s position and asserting his halfwit mate, Felton, as his unofficial second-in-command. Pierce is blind to it, or chooses not to acknowledge it. Pierce likes Hicks, because occasionally Hicks gets results. Results, I should add, that come from other people: Toze, Pike, Phillips and me. And then suddenly you come along and threaten everything with your fancy NCA methods of working.’

‘Do you see me as a threat?’

‘Not at all, ma’am. The opposite, in fact.’

They arrive at Infernos and are greeted by a surly thickset man with a beard and a buzzcut. He wears a security badge with the name ANTONY TRAVIS on it.

Archer shows her warrant card. ‘My name is DI Archer and this is DS Quinn.’

‘Can you come back another time? We’re getting ready for a private party tonight.’

‘A private party? Good for you, Mr Travis,’ says Quinn. ‘Nice to have some extra revenue at a time when business is slow.’

Travis grunts.

‘I’m afraid you’ll need to cancel tonight,’ says Archer.

‘No, we ain’t. It’s all paid for already.’

‘Too bad. Your CCTV recordings hold vital evidence that we need.’

‘No can do.’ Travis goes to shut the door, but Archer wedges her boot in it and asserts herself. Levelling her gaze at the man, she says, ‘DS Quinn, put a call through to Charing Cross and get this place shut down immediately.’ Archer hopes Quinn can sense her bluff.

‘Yes, ma’am. Straightaway.’

Archer can hear Quinn dialling his phone then talking to someone she’s never heard of.

‘You can’t do that,’ splutters Travis. ‘You have to apply to the court. It could take weeks.’

‘I can apply for a temporary closure in minutes in the matter of an important investigation, which is what this is. Sorry, Mr Travis. The curtain has dropped for your private party. In thirty minutes, four squad cars will be here and we will turn this place over.’

Travis’s face falls. ‘OK, OK, wait. I’ll have to speak to my boss.’ Travis eases his weight off the door.

Archer enters. ‘Show us where the CCTV is and by all means speak to your boss.’

Travis frowns and hesitates. ‘You’d better be quick.’

‘Quinn, put the team on hold for the minute,’ says Archer.

‘Will do.’