Back The Art of Death
Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

Archer addresses the room. ‘The victims all have friends and family so find out if anyone knows what might have happened. Os, get a court order together and get those images taken off social media.’

‘Yes, ma’am.’

‘But ensure we get copies of everything.’

Os scribbles notes on his pad.

‘Klara, could you look into the CCTV from the Greenwich Peninsula over the past few days? Marian and Tozer, could you meet with Chau and Megan’s families and look after them? Give them what they need and find out what you can about them.’

‘What about this Frank Kelly?’ asks Quinn. ‘Strange that he hasn’t come forward, considering his wife is dead.’

‘Agreed. We’ll go talk to him after this meeting.’

Archer turns to Hicks and Felton. ‘DI Hicks and DS Felton, please follow up with the friends of Megan and Chau.’

Hicks curls his lips and nods once.

‘DS Quinn and I will follow up with Elaine Kelly’s family and friends.’

‘Ma’am,’ says Klara, ‘Jackie Morris mentioned Elaine’s son, Jordan. She has been asking around and no one has seen him or the father. Her address and contact details are on the third page. Oh, she also mentioned some pubs you could try if Frank Kelly isn’t at home.’

‘Thanks, Klara. Good work. That’s it, everyone. Good luck all and thank you.’

As the team disperses, Archer says, ‘DI Hicks, a word, please.’

She closes the incident-room door leaving only herself and Hicks inside.

‘Stop harassing Klara.’

‘I beg your pardon?’

‘Klara is essential to this investigation.’

A half smile appears on Hicks’s thin lips. ‘I’m not sure what it is you’re implying.’

‘Better coppers than you have been fired for less. I’m warning you. Stop it now!’

The smile fades from Hicks’s face. ‘I don’t have a problem.’

Archer gathers her papers from the table. ‘You’ve been warned,’ she says as she leaves the incident room.

Dropping the papers on her desk she catches Quinn’s eye. ‘Shall we go?’

*

Archer drives an unmarked car through the evening rush-hour traffic as late-forecasted rain begins to pelt down across the city. Quinn has used Google maps to discover the location of Frank Kelly’s drinking holes. She drops him off at Thurlow Street. As he steps outside, cold November air floods the interior.

‘I’ll call you if I find anything,’ he says.

Archer nods, shifts gears and continues on her journey. With the wipers on full, she reaches the Aylesbury Estate in South East London just as the rain transforms into a full storm. Outside people scatter like mice running for shelter and a single umbrella floats twisted and broken on a small kerbside river. Archer spots a free parking space which is a loading bay outside a bathroom shop.