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Chapters (63)
  1. Cover
  2. Praise
  3. Dedication
  4. Map
  5. Epigraph
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Acknowledgements
  62. Letter from Author
  63. About the Author

‘Flippin’ hell, mate, have you seen this?’ comes a man’s voice from somewhere in the store.

‘What the . . .?’ replies his friend. ‘Are those real people?’

‘Yeah, it’s the same bloke what did those three homeless people in.’

Archer turns to look at the two men who are open-mouthed and staring down at a phone screen.

‘She’s fit,’ says one of the men. ‘Or was . . .’

Archer feels a chill run down her spine and notices other members of staff looking at the television behind Rachel.

‘Oh my God,’ says the sales advisor.

She is watching the television. Archer follows her gaze.

A BREAKING NEWS banner with the subtitle ‘Marshland Martyrs’ is rolling across the bottom of the screen and a live Facebook feed shows three tall vitrines filled with liquid. Each one has a body inside.

Archer moves closer.

The news anchor is talking but she cannot hear. ‘Please turn the volume up!’

Rachel unmutes the television.

‘. . . these pictures are just in from the Facebook page of the killer who calls himself @nonymous. They appear to show the bodies of three semi-naked women with their hands clasped together in prayer. Something is wrapped around their arms. I’m not sure what it is. The image is really quite extraordinary . . .’

‘Shit!’ says Archer. She phones Klara. ‘Have you seen the news?’

‘We’re watching it now. Where are you?’

‘Close by.’

‘I’m putting you on speaker . . .’

Archer hears the echo of Klara’s office and the low hum of voices.

Archer pays for the sim and hurries out of the store. ‘I’ll be there in five minutes. Can you get a trace on the Facebook feed?’

‘Yes, the geo location is on the feed . . . here it’s . . . it’s broadcasting from somewhere on the Greenwich Peninsula. I should have precise location in a few moments.’

Archer sprints past Covent Garden market dodging dawdling tourists.

‘Is DS Quinn there?’

‘I’m here,’ calls Quinn.

‘We need backup, medics, SOCOs.’

‘Already on it.’

‘Good. I’ll be there in a few minutes.’

*

Sirens scream and blue lights flash as Archer and Quinn race across London in a convoy of police vehicles. Archer watches the broadcast on her phone. The vitrines are lit from behind with a dim blue light. The victims’ hair floats like their long dark skirts that seem to move from side to side. They are naked from the waist up; their arms are tightly bound with barbed wire and their hands held up in prayer. Archer shudders.

There is only darkness around the cabinets and there is no sign of movement. Archer knows the killer is long gone.

Klara phones. ‘Calls are coming in from friends and family. I have IDs on the women. Elaine Kelly, Chau Ho and Megan Burchill. All three have a social media presence and none of them have been reported missing.’

‘They’re clearly not homeless then?’

‘Definitely not homeless. And Elaine Kelly is a mother.’