Contents ( 152)
- Contents
- Introduction
- The Distance
- Maybe I’ll Be The First
- border/softer
- untitled poem – on travel
- Galway Dreaming
- Escape
- Your World
- Not knowing when the Dawn will come
- The Instructions
- Away and See
- ‘A girl unbridled’ – Feeling Free
- Freedom
- Mythology
- Freedom Poem
- The Long Holidays
- In Wellies
- Lines Composed in a Wood on a Windy Day
- Londoner
- She Showed Me Her Dreams
- Let Me Count the Ways
- Bath
- Ourstory
- Megan Married Herself
- ‘A land where I could be a queen’ – Growing Up
- The Mother
- Hedgehog
- The Pomegranate
- Persephone to Demeter
- The Window
- Obedience, or The Lying Tale
- kids
- The worlds
- Praise Song for My Mother
- You May Have Heard of Me
- ‘What if this road . . .’ – Travels over Land
- What if this road
- On the Road Through Chang-te
- Divorce
- *
- The Footprint
- Autobiography in Five Chapters
- The Road Out of Town
- Cocoon
- Wolves
- Ode
- A Winter Ride
- Driving Back Over the Blue Ridge,
- ‘Golden windows in a wall’ – Words Can Set You Free
- In a Cardiff Arcade, 1952
- Sonnet XXXI
- from Aurora Leigh
- Books
- Poem
- from The Emulation
- we misread ‘language’ as ‘lavender’
- Poem
- Kemo Sabe
- When to Write
- The cypher
- Coal
- Wings
- from Washing Day
- ‘My wild hair backward blown’ – Taking Flight
- The Destroyer
- Flying to Italy
- holiday
- The Bomber
- Hungary
- Spring Wind in London
- from Sonnets from a Lock Box
- The Full Indian Rope Trick
- On the South Downs
- ‘It’s better with all the banners flying’ – Courage, Hope and Resilience
- ‘Out of the darkness’
- Miss Aylward’s Journey
- Sangharsh Karna Hai
- All Around the Jailhouse
- Locked Inside
- L’Envoi
- December
- New Glass
- Release
- Her Kind
- The Lady with the Sewing-Machine
- Edith Sitwell
- War Girls
- Wood Song
- ‘Riches I hold in light esteem’
- I want to stand naked in the school hall
- ‘Chasing weightlessness’ – The Final Frontier
- I Had a Boat
- from Darkness Music
- The Moon at Knowle Hill
- ‘On the road through the clouds’
- The Crescent Moon
- Sally Ride Speaks to the Schoolgirls
- Target
- De Profundis
- Sky Ladder
- Devil at the End of Love
- The Hubble Space Telescope before repair
- Avowal
- ‘It’s the sea I want’ – Voyages by Verse
- Hunter’s Moon
- Strawberries and the Sailing Ship
- The Sea-Shore
- It’s the Sea I Want
- Dare
- Sea Love
- Staying in the Mountains in Summer
- from Elegy on Captain Cook
- Exultation is the going
- from Notes on the Voyage of Owl and Girl
- Strange Sea
- Saint Senara and Me
- The Winds of Fate
- Boats in a Storm
- The New Colossus
- Emigravit
- ‘Dream me mermaid’ – Flights of Fancy
- In Your Mind
- from On Imagination
- The Centaur
- The Chatelaine
- Roads
- My Hat
- Functional Skills Maths
- The Burning
- Laurel in the Berkshires
- Iridescent lizard
- The Forlorn Sea
- The Celestial Announcer
- The Levitation of St Christina
- Ego Tripping (There May Be a Reason Why)
- ‘Silence and a space of sleep’: Travels towards Tranquillity
- from Verses Written in the Chiosk of the British Palace at Pera
- Southern Sunrise
- Lochan
- Birthday Poem from Venice
- ‘Leave Krete’
- Dzoka (Return)
- The Girl Who Fell in Love With the Mountain
- Translation
- Furness Abbey
- Not for that City
- About the Poets
- Index of First Lines
- Index of Poets
- Acknowledgements
- About the Author
May Swenson (1913–1989)
May’s parents were Swedish immigrants to Utah and English was her second language. Although they struggled to accept that she was lesbian, she remained close to her Mormon family all her life. May moved to New York in the 1930s and worked in academia and publishing before focusing on her own writing. She published collections of poetry for both adults and children during her lifetime, and several more were published posthumously. Her work won numerous awards, and she was a Chancellor of the Academy of American Poets from 1980 to 1989.
The Centaur is here.
Sara Teasdale (1884–1933)
Sara’s poetry was hugely successful, and she won the first Pulitzer Prize in 1918 (when it was called the Columbia Poetry Prize). She had many suitors, including a poet, Vachel Lindsay, who felt he couldn’t support her financially, so she married and later divorced another man instead. Afterwards, she rekindled her friendship with Lindsay, who was by now married with children. Two years after his death, Sara sadly took her own life.
On the South Downs is here.
Kae Tempest (born 1985)
Kae was born in London in 1985. Their work includes the plays Wasted, Glasshouse and Hopelessly Devoted; the poetry collections Hold Your Own and Running Upon the Wires; the albums Everybody Down, Balance and Let Them Eat Chaos; the long poems Brand New Ancients and Let Them Eat Chaos; and their debut novel, The Bricks that Built the Houses. They were nominated for the Mercury Music prize for their debut album, Everybody Down, and received the Ted Hughes Award and a Herald Angel Award for Brand New Ancients. Kae was also named a Next Generation poet in 2014. The cypher is here.
Sophia Thakur (born 1996)
Sophia is one of the most recognizable figures in UK performance poetry today, with a large following on YouTube and social media. She has collaborated with the likes of MTV, NIKE, TEDx and BET, and performed at some of the UK’s biggest music festivals and venues, including Glastonbury and Tate Britain. Her first poetry collection, Somebody Give This Heart a Pen, was published in October 2019.
When to Write is here.
Michelle Tiwo
Michelle is an actor, poet, spoken word educator and founder of Sistren podcast. Their work featured in Barbican Young Poets 2016, and they have been commissioned by organizations including the Royal College of Art and The Floating Showroom. Michelle’s work is reflective of their identity and their communities: Nigeria and Togo via South East London. Recent acting credits include Parakeet, Ackee and Saltfish on BBC3, And The Rest of Me Floats at the Bush Theatre and The Ting for Channel 4 Random Acts.
Maybe I’ll Be The First is here.
Katharine Towers (born 1961)
Katharine has published two poetry collections. The Floating Man won the Seamus Heaney Centre Prize, and The Remedies was shortlisted for the T. S. Eliot Prize. Katharine’s poems have been widely published and read on BBC Radio 3 and 4, and one of the poems from The Floating Man was selected as a Poem on the Underground in London. Katharine teaches poetry workshops for the Poetry Society and at universities and literary festivals.