Contents ( 152)
- Contents
- Introduction
- The Distance
- Maybe I’ll Be The First
- border/softer
- untitled poem – on travel
- Galway Dreaming
- Escape
- Your World
- Not knowing when the Dawn will come
- The Instructions
- Away and See
- ‘A girl unbridled’ – Feeling Free
- Freedom
- Mythology
- Freedom Poem
- The Long Holidays
- In Wellies
- Lines Composed in a Wood on a Windy Day
- Londoner
- She Showed Me Her Dreams
- Let Me Count the Ways
- Bath
- Ourstory
- Megan Married Herself
- ‘A land where I could be a queen’ – Growing Up
- The Mother
- Hedgehog
- The Pomegranate
- Persephone to Demeter
- The Window
- Obedience, or The Lying Tale
- kids
- The worlds
- Praise Song for My Mother
- You May Have Heard of Me
- ‘What if this road . . .’ – Travels over Land
- What if this road
- On the Road Through Chang-te
- Divorce
- *
- The Footprint
- Autobiography in Five Chapters
- The Road Out of Town
- Cocoon
- Wolves
- Ode
- A Winter Ride
- Driving Back Over the Blue Ridge,
- ‘Golden windows in a wall’ – Words Can Set You Free
- In a Cardiff Arcade, 1952
- Sonnet XXXI
- from Aurora Leigh
- Books
- Poem
- from The Emulation
- we misread ‘language’ as ‘lavender’
- Poem
- Kemo Sabe
- When to Write
- The cypher
- Coal
- Wings
- from Washing Day
- ‘My wild hair backward blown’ – Taking Flight
- The Destroyer
- Flying to Italy
- holiday
- The Bomber
- Hungary
- Spring Wind in London
- from Sonnets from a Lock Box
- The Full Indian Rope Trick
- On the South Downs
- ‘It’s better with all the banners flying’ – Courage, Hope and Resilience
- ‘Out of the darkness’
- Miss Aylward’s Journey
- Sangharsh Karna Hai
- All Around the Jailhouse
- Locked Inside
- L’Envoi
- December
- New Glass
- Release
- Her Kind
- The Lady with the Sewing-Machine
- Edith Sitwell
- War Girls
- Wood Song
- ‘Riches I hold in light esteem’
- I want to stand naked in the school hall
- ‘Chasing weightlessness’ – The Final Frontier
- I Had a Boat
- from Darkness Music
- The Moon at Knowle Hill
- ‘On the road through the clouds’
- The Crescent Moon
- Sally Ride Speaks to the Schoolgirls
- Target
- De Profundis
- Sky Ladder
- Devil at the End of Love
- The Hubble Space Telescope before repair
- Avowal
- ‘It’s the sea I want’ – Voyages by Verse
- Hunter’s Moon
- Strawberries and the Sailing Ship
- The Sea-Shore
- It’s the Sea I Want
- Dare
- Sea Love
- Staying in the Mountains in Summer
- from Elegy on Captain Cook
- Exultation is the going
- from Notes on the Voyage of Owl and Girl
- Strange Sea
- Saint Senara and Me
- The Winds of Fate
- Boats in a Storm
- The New Colossus
- Emigravit
- ‘Dream me mermaid’ – Flights of Fancy
- In Your Mind
- from On Imagination
- The Centaur
- The Chatelaine
- Roads
- My Hat
- Functional Skills Maths
- The Burning
- Laurel in the Berkshires
- Iridescent lizard
- The Forlorn Sea
- The Celestial Announcer
- The Levitation of St Christina
- Ego Tripping (There May Be a Reason Why)
- ‘Silence and a space of sleep’: Travels towards Tranquillity
- from Verses Written in the Chiosk of the British Palace at Pera
- Southern Sunrise
- Lochan
- Birthday Poem from Venice
- ‘Leave Krete’
- Dzoka (Return)
- The Girl Who Fell in Love With the Mountain
- Translation
- Furness Abbey
- Not for that City
- About the Poets
- Index of First Lines
- Index of Poets
- Acknowledgements
- About the Author
The Lady with the Sewing-Machine is here.
Maggie Smith (born 1977)
Maggie is the author of Lamp of the Body (2005), The Well Speaks of Its Own Poison (2015) and Good Bones (2017), as well as three prizewinning chapbooks. She has received fellowships from the National Endowment for the Arts, the Ohio Arts Council, and the Sustainable Arts Foundation, and works as a freelance writer and editor.
The Mother is here.
Stevie Smith (1902–1971)
Christened Florence, Stevie got her nickname from the jockey Steve Donoghue because she was so small. She was mostly brought up by her beloved, fiercely independent aunt (whom she nicknamed ‘Lion’) and remained single, observing that marriage looked rather tiring. Stevie published poems illustrated with her own quirky doodles and rather autobiographical novels in which friends – including George Orwell, with whom she may have had an affair – thought they recognized themselves. She was fascinated by death and religion, and her lively readings won her fans, including Sylvia Plath, who called herself a ‘desperate Smith-addict’. Though she often suffered from ill health and sadness, she had a mischievous sense of dark humour that shines through her poems.
My Hat / The Forlorn Sea are here and here.
Edith Södergran (1892–1923)
Edith was a Swedish-speaking Finnish poet born in St Petersburg during a turbulent time for Russia. Due to her father’s poor health, her mother supported the family, giving Edith a strongly feminist role model. Edith fell ill herself and was sent to recover in a Swiss clinic where she met and was inspired by several writers. Her modern style of poetry was ahead of its time – critics were unimpressed, though her work became hugely influential after her death from tuberculosis aged only thirty-one.
Strange Sea is here.
Anne Spencer (1882–1975)
Anne was a poet, teacher, librarian and civil rights activist and, although she lived much of her life in Virginia, was a key member of the Harlem Renaissance, an explosion of African-American culture centred on New York. She was raised largely by her mother after her parents’ separation and, although she didn’t attend school until the age of eleven, she excelled in her education. Anne’s poetry focused on themes of racial and sexual inequality as well as her deep love of nature – she was a keen gardener – and were widely anthologized. She and her husband Edward were active in the fight for civil rights and hosted figures including Martin Luther King and Langston Hughes at their home in Lynchburg, now a museum.
Translation is here.
Ellie Steel
Ellie wrote this poem while studying for A-Levels in English, French and Sociology in East Oxford. She spent a lot of her extracurricular time in creative writing and poetry clubs, and has said that being a part of She Will Soar has reminded her just how much she loves writing.
Wings is here.
Den Sute-Jo (1633–1698)
Den Sute-Jo came from a wealthy samurai family and was born in a small mountain town in northwestern Kyoto. She married her stepbrother and had five sons and one daughter. Both she and her husband studied poetry with the famous poet-scholar Kitamura Kigin. After she was widowed, she became a nun and then a Zen Buddhist, living in a temple close to her Zen master with other women. ‘On the road through the clouds’ is here.