Contents ( 152)
- Contents
- Introduction
- The Distance
- Maybe I’ll Be The First
- border/softer
- untitled poem – on travel
- Galway Dreaming
- Escape
- Your World
- Not knowing when the Dawn will come
- The Instructions
- Away and See
- ‘A girl unbridled’ – Feeling Free
- Freedom
- Mythology
- Freedom Poem
- The Long Holidays
- In Wellies
- Lines Composed in a Wood on a Windy Day
- Londoner
- She Showed Me Her Dreams
- Let Me Count the Ways
- Bath
- Ourstory
- Megan Married Herself
- ‘A land where I could be a queen’ – Growing Up
- The Mother
- Hedgehog
- The Pomegranate
- Persephone to Demeter
- The Window
- Obedience, or The Lying Tale
- kids
- The worlds
- Praise Song for My Mother
- You May Have Heard of Me
- ‘What if this road . . .’ – Travels over Land
- What if this road
- On the Road Through Chang-te
- Divorce
- *
- The Footprint
- Autobiography in Five Chapters
- The Road Out of Town
- Cocoon
- Wolves
- Ode
- A Winter Ride
- Driving Back Over the Blue Ridge,
- ‘Golden windows in a wall’ – Words Can Set You Free
- In a Cardiff Arcade, 1952
- Sonnet XXXI
- from Aurora Leigh
- Books
- Poem
- from The Emulation
- we misread ‘language’ as ‘lavender’
- Poem
- Kemo Sabe
- When to Write
- The cypher
- Coal
- Wings
- from Washing Day
- ‘My wild hair backward blown’ – Taking Flight
- The Destroyer
- Flying to Italy
- holiday
- The Bomber
- Hungary
- Spring Wind in London
- from Sonnets from a Lock Box
- The Full Indian Rope Trick
- On the South Downs
- ‘It’s better with all the banners flying’ – Courage, Hope and Resilience
- ‘Out of the darkness’
- Miss Aylward’s Journey
- Sangharsh Karna Hai
- All Around the Jailhouse
- Locked Inside
- L’Envoi
- December
- New Glass
- Release
- Her Kind
- The Lady with the Sewing-Machine
- Edith Sitwell
- War Girls
- Wood Song
- ‘Riches I hold in light esteem’
- I want to stand naked in the school hall
- ‘Chasing weightlessness’ – The Final Frontier
- I Had a Boat
- from Darkness Music
- The Moon at Knowle Hill
- ‘On the road through the clouds’
- The Crescent Moon
- Sally Ride Speaks to the Schoolgirls
- Target
- De Profundis
- Sky Ladder
- Devil at the End of Love
- The Hubble Space Telescope before repair
- Avowal
- ‘It’s the sea I want’ – Voyages by Verse
- Hunter’s Moon
- Strawberries and the Sailing Ship
- The Sea-Shore
- It’s the Sea I Want
- Dare
- Sea Love
- Staying in the Mountains in Summer
- from Elegy on Captain Cook
- Exultation is the going
- from Notes on the Voyage of Owl and Girl
- Strange Sea
- Saint Senara and Me
- The Winds of Fate
- Boats in a Storm
- The New Colossus
- Emigravit
- ‘Dream me mermaid’ – Flights of Fancy
- In Your Mind
- from On Imagination
- The Centaur
- The Chatelaine
- Roads
- My Hat
- Functional Skills Maths
- The Burning
- Laurel in the Berkshires
- Iridescent lizard
- The Forlorn Sea
- The Celestial Announcer
- The Levitation of St Christina
- Ego Tripping (There May Be a Reason Why)
- ‘Silence and a space of sleep’: Travels towards Tranquillity
- from Verses Written in the Chiosk of the British Palace at Pera
- Southern Sunrise
- Lochan
- Birthday Poem from Venice
- ‘Leave Krete’
- Dzoka (Return)
- The Girl Who Fell in Love With the Mountain
- Translation
- Furness Abbey
- Not for that City
- About the Poets
- Index of First Lines
- Index of Poets
- Acknowledgements
- About the Author
It clenched in my hands, a living flinch.
You cannot love so much and live,
it whispered, its spines clicking like teeth.
I hid it from itself in a cardboard box.
Overnight it nibbled a hole and slipped away.
I cried so much my mother thought I’d never stop.
She said, you cannot love so – and yet
I grew to average size and amused a lot of people
with my prickliness and brilliant escapes.
Polly Clark
The Pomegranate
The only legend I have ever loved is
the story of a daughter lost in hell.
And found and rescued there.
Love and blackmail are the gist of it.
Ceres and Persephone the names.
And the best thing about the legend is
I can enter it anywhere. And have.
As a child in exile in
a city of fogs and strange consonants,
I read it first and at first I was
an exiled child in the crackling dusk of
the underworld, the stars blighted. Later
I walked out in a summer twilight
searching for my daughter at bed-time.
When she came running I was ready
to make any bargain to keep her.
I carried her back past whitebeams
and wasps and honey-scented buddleias.
But I was Ceres then and I knew
winter was in store for every leaf
on every tree on that road.
Was inescapable for each one we passed.
And for me.
It is winter
and the stars are hidden.
I climb the stairs and stand where I can see
my child asleep beside her teen magazines,
her can of Coke, her plate of uncut fruit.
The pomegranate! How did I forget it?
She could have come home and been safe
and ended the story and all
our heart-broken searching but she reached
out a hand and plucked a pomegranate.
She put out her hand and pulled down
the French sound for apple and
the noise of stone and the proof
that even in the place of death,
at the heart of legend, in the midst
of rocks full of unshed tears
ready to be diamonds by the time
the story was told, a child can be
hungry. I could warn her. There is still a chance.
The rain is cold. The road is flint-coloured.
The suburb has cars and cable television.
The veiled stars are above ground.
It is another world. But what else
can a mother give her daughter but such
beautiful rifts in time?
If I defer the grief I will diminish the gift.
The legend will be hers as well as mine.
She will enter it. As I have.
She will wake up. She will hold
the papery flushed skin in her hand.
And to her lips. I will say nothing.
Eavan Boland
Persephone to Demeter
Do you remember what happened
the first time I touched a pomegranate shrub?
Instead of bursting to a full red fruit,
it wilted and mottled under my fingers
until you snatched it and brought it back to life.
We both knew in that moment,