Contents ( 152)
- Contents
- Introduction
- The Distance
- Maybe I’ll Be The First
- border/softer
- untitled poem – on travel
- Galway Dreaming
- Escape
- Your World
- Not knowing when the Dawn will come
- The Instructions
- Away and See
- ‘A girl unbridled’ – Feeling Free
- Freedom
- Mythology
- Freedom Poem
- The Long Holidays
- In Wellies
- Lines Composed in a Wood on a Windy Day
- Londoner
- She Showed Me Her Dreams
- Let Me Count the Ways
- Bath
- Ourstory
- Megan Married Herself
- ‘A land where I could be a queen’ – Growing Up
- The Mother
- Hedgehog
- The Pomegranate
- Persephone to Demeter
- The Window
- Obedience, or The Lying Tale
- kids
- The worlds
- Praise Song for My Mother
- You May Have Heard of Me
- ‘What if this road . . .’ – Travels over Land
- What if this road
- On the Road Through Chang-te
- Divorce
- *
- The Footprint
- Autobiography in Five Chapters
- The Road Out of Town
- Cocoon
- Wolves
- Ode
- A Winter Ride
- Driving Back Over the Blue Ridge,
- ‘Golden windows in a wall’ – Words Can Set You Free
- In a Cardiff Arcade, 1952
- Sonnet XXXI
- from Aurora Leigh
- Books
- Poem
- from The Emulation
- we misread ‘language’ as ‘lavender’
- Poem
- Kemo Sabe
- When to Write
- The cypher
- Coal
- Wings
- from Washing Day
- ‘My wild hair backward blown’ – Taking Flight
- The Destroyer
- Flying to Italy
- holiday
- The Bomber
- Hungary
- Spring Wind in London
- from Sonnets from a Lock Box
- The Full Indian Rope Trick
- On the South Downs
- ‘It’s better with all the banners flying’ – Courage, Hope and Resilience
- ‘Out of the darkness’
- Miss Aylward’s Journey
- Sangharsh Karna Hai
- All Around the Jailhouse
- Locked Inside
- L’Envoi
- December
- New Glass
- Release
- Her Kind
- The Lady with the Sewing-Machine
- Edith Sitwell
- War Girls
- Wood Song
- ‘Riches I hold in light esteem’
- I want to stand naked in the school hall
- ‘Chasing weightlessness’ – The Final Frontier
- I Had a Boat
- from Darkness Music
- The Moon at Knowle Hill
- ‘On the road through the clouds’
- The Crescent Moon
- Sally Ride Speaks to the Schoolgirls
- Target
- De Profundis
- Sky Ladder
- Devil at the End of Love
- The Hubble Space Telescope before repair
- Avowal
- ‘It’s the sea I want’ – Voyages by Verse
- Hunter’s Moon
- Strawberries and the Sailing Ship
- The Sea-Shore
- It’s the Sea I Want
- Dare
- Sea Love
- Staying in the Mountains in Summer
- from Elegy on Captain Cook
- Exultation is the going
- from Notes on the Voyage of Owl and Girl
- Strange Sea
- Saint Senara and Me
- The Winds of Fate
- Boats in a Storm
- The New Colossus
- Emigravit
- ‘Dream me mermaid’ – Flights of Fancy
- In Your Mind
- from On Imagination
- The Centaur
- The Chatelaine
- Roads
- My Hat
- Functional Skills Maths
- The Burning
- Laurel in the Berkshires
- Iridescent lizard
- The Forlorn Sea
- The Celestial Announcer
- The Levitation of St Christina
- Ego Tripping (There May Be a Reason Why)
- ‘Silence and a space of sleep’: Travels towards Tranquillity
- from Verses Written in the Chiosk of the British Palace at Pera
- Southern Sunrise
- Lochan
- Birthday Poem from Venice
- ‘Leave Krete’
- Dzoka (Return)
- The Girl Who Fell in Love With the Mountain
- Translation
- Furness Abbey
- Not for that City
- About the Poets
- Index of First Lines
- Index of Poets
- Acknowledgements
- About the Author
Books is here.
Vivien Urban
Vivien was born in Hungary but at the age of eleven moved to the UK, where she attended the Oxford Spires Academy and enjoyed writing poetry as a way to improve her English. Her poem ‘Hungary’ was included in the anthology England: Poems from a School, edited by Kate Clanchy, who taught her creative writing. Vivien studies English, Languages and Creative Writing at St Andrews University.
Hungary is here.
Kate Wakeling
Kate is a musicologist and writer, whose debut collection of verse for children, Moon Juice, won the 2017 CLiPPA and was nominated for the 2018 Carnegie Medal. Her poetry for adults has been published in publications including the Guardian, The Forward Book of Poetry 2016 and The Best British Poetry 2014. Kate is writer-in-residence with Aurora Orchestra and co-creator of Far Far Away, a series of children’s storytelling concerts. She has performed at Shakespeare’s Globe, the Cheltenham Literature Festival, the Southbank Centre and Wigmore Hall, among other venues. Kate also writes for publications including the Times Literary Supplement and BBC Music Magazine.
The Instructions is here.
Phillis Wheatley (c. 1753–1784)
Phillis was seized from West Africa and sold into slavery in the household of John Wheatley in Boston aged only seven. The Wheatleys did not excuse her from domestic work but they did ensure that she was well educated, and she began to write and publish poetry in her teens. Phillis always enjoyed greater success in England than in America, and she visited London and met dignitaries including Benjamin Franklin in 1771. After the Wheatleys died, Phillis married a free black man called John Peters, but in the harsh job market following the American Civil War they descended into poverty. She died, along with their last surviving child, while John was languishing in a debtors’ prison, though she never stopped writing and endeavouring to publish her work.
Extract from On Imagination is here.
Anna Wickham (1883–1947)
Born Edith Alice Mary Harper, Anna moved between Australia, France and the UK – her pseudonymous surname was inspired by a Brisbane street. Her possessive husband tried to put an end to her singing and writing career, and she suffered a breakdown and a brief spell in an asylum. Anna published several collections of poetry which were hugely popular especially in America, and had many literary friends, including Katherine Mansfield and H.D. Those friendships, however, were sometimes tempestuous: she was rumoured to have once thrown poet Dylan Thomas out of her house during a snowstorm.
Divorce is here.
Ella May Wiggins (1900–1929)
Ella was active in the National Textile Workers Union, fighting for workers’ rights in Gastonia, North Carolina, where she worked as a spinner. Four of her nine children died of whooping cough after the mill superintendent refused to change her from the night to the day shift to tend them. When she quit her job to look after them, she couldn’t afford the medicine to save them. Ella wrote and sang her ballads to support the cause. In 1929, at the height of the workers’ strikes, she was shot and killed by five Loray Mill employees, who were exonerated despite over fifty witnesses to the murder.