Contents ( 152)
- Contents
- Introduction
- The Distance
- Maybe I’ll Be The First
- border/softer
- untitled poem – on travel
- Galway Dreaming
- Escape
- Your World
- Not knowing when the Dawn will come
- The Instructions
- Away and See
- ‘A girl unbridled’ – Feeling Free
- Freedom
- Mythology
- Freedom Poem
- The Long Holidays
- In Wellies
- Lines Composed in a Wood on a Windy Day
- Londoner
- She Showed Me Her Dreams
- Let Me Count the Ways
- Bath
- Ourstory
- Megan Married Herself
- ‘A land where I could be a queen’ – Growing Up
- The Mother
- Hedgehog
- The Pomegranate
- Persephone to Demeter
- The Window
- Obedience, or The Lying Tale
- kids
- The worlds
- Praise Song for My Mother
- You May Have Heard of Me
- ‘What if this road . . .’ – Travels over Land
- What if this road
- On the Road Through Chang-te
- Divorce
- *
- The Footprint
- Autobiography in Five Chapters
- The Road Out of Town
- Cocoon
- Wolves
- Ode
- A Winter Ride
- Driving Back Over the Blue Ridge,
- ‘Golden windows in a wall’ – Words Can Set You Free
- In a Cardiff Arcade, 1952
- Sonnet XXXI
- from Aurora Leigh
- Books
- Poem
- from The Emulation
- we misread ‘language’ as ‘lavender’
- Poem
- Kemo Sabe
- When to Write
- The cypher
- Coal
- Wings
- from Washing Day
- ‘My wild hair backward blown’ – Taking Flight
- The Destroyer
- Flying to Italy
- holiday
- The Bomber
- Hungary
- Spring Wind in London
- from Sonnets from a Lock Box
- The Full Indian Rope Trick
- On the South Downs
- ‘It’s better with all the banners flying’ – Courage, Hope and Resilience
- ‘Out of the darkness’
- Miss Aylward’s Journey
- Sangharsh Karna Hai
- All Around the Jailhouse
- Locked Inside
- L’Envoi
- December
- New Glass
- Release
- Her Kind
- The Lady with the Sewing-Machine
- Edith Sitwell
- War Girls
- Wood Song
- ‘Riches I hold in light esteem’
- I want to stand naked in the school hall
- ‘Chasing weightlessness’ – The Final Frontier
- I Had a Boat
- from Darkness Music
- The Moon at Knowle Hill
- ‘On the road through the clouds’
- The Crescent Moon
- Sally Ride Speaks to the Schoolgirls
- Target
- De Profundis
- Sky Ladder
- Devil at the End of Love
- The Hubble Space Telescope before repair
- Avowal
- ‘It’s the sea I want’ – Voyages by Verse
- Hunter’s Moon
- Strawberries and the Sailing Ship
- The Sea-Shore
- It’s the Sea I Want
- Dare
- Sea Love
- Staying in the Mountains in Summer
- from Elegy on Captain Cook
- Exultation is the going
- from Notes on the Voyage of Owl and Girl
- Strange Sea
- Saint Senara and Me
- The Winds of Fate
- Boats in a Storm
- The New Colossus
- Emigravit
- ‘Dream me mermaid’ – Flights of Fancy
- In Your Mind
- from On Imagination
- The Centaur
- The Chatelaine
- Roads
- My Hat
- Functional Skills Maths
- The Burning
- Laurel in the Berkshires
- Iridescent lizard
- The Forlorn Sea
- The Celestial Announcer
- The Levitation of St Christina
- Ego Tripping (There May Be a Reason Why)
- ‘Silence and a space of sleep’: Travels towards Tranquillity
- from Verses Written in the Chiosk of the British Palace at Pera
- Southern Sunrise
- Lochan
- Birthday Poem from Venice
- ‘Leave Krete’
- Dzoka (Return)
- The Girl Who Fell in Love With the Mountain
- Translation
- Furness Abbey
- Not for that City
- About the Poets
- Index of First Lines
- Index of Poets
- Acknowledgements
- About the Author
One side of the sky hankers after the day
and its vapour trails. The other is dragged down
like fabric in a dogs’s mouth
and its’s a relief, we can stop pretending
and close the curtains and light the gasfire.
The hills and moors recede like silent planets
and the rain hisses on the sea, and the dining chairs
are moved into the living room. Outside it feels like nothing:
like black space. The carpet is littered with tissue crowns
and ribbons and the ash of fallen laughter
Come out with me. Come now, just pull the door to,
And along the pavements, doesn’t matter where
Just outside, keep walking, and if there’s a hill climb it
Sasha Dugdale
The Footprint
Of the fleeing man I have
only the footprint,
the weight of his body,
and the wind that blows him.
No signs, no name,
no country or town,
only the damp
shell of his footprint,
only this syllable
absorbed by the sand
and the earth, Veronica
who murmured it to me.
Only the anguish
that hurries his flight:
hammering pulse,
gasping breath,
glistening sweat,
teeth on edge,
and the hard dry wind
that hits his back.
And the thorn he leaps,
the marsh he crosses,
the bush that hides him
and the sun that reveals him,
the hill that helps him,
and the one that betrays him,
the root that trips him
and God who gets him to his feet.
And his daughter, the blood
the calls out through him:
the footprint, Lord,
the bright footprint,
the mouthless cry,
the footprint, the footprint!
Holy sands
eat up his sign.
Dogs of mist,
cover his track.
Falling night,
swallow in one gulp
the great, sweet
mark of a man.
I see, I count
the two thousand footprints.
I go running, running
across old Earth,
mixing up his
poor tracks with mine,
or I stop and erase them
with my wild hair,
or facedown I lick
away the footprints.
But the white Earth
turns eternal,
stretches endless
as a chain,
lengthens out into a snake,
and the Lord God does not break its back.
And the footprints go on
to the end of the world.
Gabriela Mistral
Translated by Ursula K. Le Guin
Autobiography in Five Chapters
I
I walk down the street.
There is a deep hole in the sidewalk
I fall in.
I am lost . . .
I am hopeless.
It isn’t my fault
It takes forever to find a way out.
II
I walk down the same street.
There is a deep hole in the sidewalk.
I pretend I don’t see it.
I fall in again.
I can’t believe I’m in the same place.
But it isn’t my fault.
It still takes a long time to get out.
III
I walk down the same street.
There is a deep hole in the sidewalk.
I see it is there.
I still fall in . . . it’s a habit
My eyes are open; I know where I am;