Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

His eyes bulged wider than usual. “To what’s buried beneath?”

I nodded.

He violently shook his head.

I slung my arm around his shoulder and said, “I know a dealer up in the hill towns who specializes in rare birds.”

His raven squawked, “Rare birds,” and with that, Sodoma led me away.

The downstairs hallway was so cold that my breath hung in the air. Spiderwebs collected in corners. Dust thickened on floorboards. I recounted our steps. “We’re directly beneath Pope Julius’s apartments, aren’t we?”

Sodoma’s hand paused on the handle of a closed door. “I shouldn’t be here. You shouldn’t be here.” He backed away from the door. “Let the accursed Spaniard be,” he said and then turned and stumbled back up the stairs.

“Thank you, Sodoma,” I called but got no response. His fumbling footsteps faded.

I was desperate for a place to sleep—I couldn’t survive those wolves again—but thinking about what was buried down there made my stomach wobble. Would I find the accursed Spaniard— whoever he was—lying in a sarcophagus or hanging from the ceiling or rotting in some arcane torture device? The door handle— bronze with a crusty patina of teal—opened with a light touch. The hinges creaked.

I put my arm over my mouth and nostrils and stepped into the room. There was no window or torch, so it took several moments for my eyes to adjust. Tarps covered the ceiling, walls, furniture, floors. I moved through the adjoining rooms. More tarps, but no coffins or dead bodies. I lowered my sleeve and took in a hesitant breath—musty and dusty but no hint of rot. I found a window and pulled back the drapery, letting in light. Dust billowed. Behind another tarp, I found a cabinet. The handles were rusted, but the drawers were empty. Wipe them out, and I could keep a few clothes inside. My foot caught on one of the floor tarps; it moved, exposing blue-and-white tile floors. Wait, were those Spanish tiles? The back of my neck tingled.

Santa Sara. I knew where I was.

I tore tarps off walls and ceilings. It wasn’t a body buried down there, was it? No. It was worse than a hanging corpse or ghost. What was buried down there—in those rooms, covered by tarps, shrouded from view—was fresco after fresco after fresco decorating those walls. Masterpiece after masterpiece after masterpiece.