Back Raphael, Painter in Rome: a Novel
Chapters (75)
  1. Front Cover
  2. Half-Title Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Prologue
  7. Chapter I
  8. Chapter II
  9. Chapter III
  10. Chapter IV
  11. Chapter V
  12. Chapter VI
  13. Chapter VII
  14. Chapter VIII
  15. Chapter IX
  16. Chapter X
  17. Chapter XI
  18. Chapter XII
  19. Chapter XIII
  20. Chapter XIV
  21. Chapter XV
  22. Chapter XVI
  23. Chapter XVII
  24. Chapter XVIII
  25. Chapter XIX
  26. Chapter XX
  27. Chapter XXI
  28. Chapter XXII
  29. Chapter XXIII
  30. Chapter XXIV
  31. Chapter XXV
  32. Chapter XXVI
  33. Chapter XXVII
  34. Chapter XXVIII
  35. Chapter XXIX
  36. Chapter XXX
  37. Chapter XXXI
  38. Chapter XXXII
  39. Chapter XXXIII
  40. Chapter XXXIV
  41. Chapter XXXV
  42. Chapter XXXVI
  43. Chapter XXXVII
  44. Chapter XXXVIII
  45. Chapter XXXIX
  46. Chapter XL
  47. Chapter XLI
  48. Chapter XLII
  49. Chapter XLIII
  50. Chapter XLIV
  51. Chapter XLV
  52. Chapter XLVI
  53. Chapter XLVII
  54. Chapter XLVIII
  55. Chapter XLIX
  56. Chapter L
  57. Chapter LI
  58. Chapter LII
  59. Chapter LIII
  60. Chapter LIV
  61. Chapter LV
  62. Chapter LVI
  63. Chapter LVII
  64. Chapter LVIII
  65. Chapter LIX
  66. Chapter LX
  67. Chapter LXI
  68. Chapter LXII
  69. Chapter LXIII
  70. Chapter LXIV
  71. Epilogue
  72. Coda
  73. Note
  74. Acknowledgments
  75. About the Author

“Nice to meet you, Your Eminen”—off his scolding look I corrected—“Fafel . . . Although I wish I could stay and hear what kind of joke Michelangelo played on you”—in courts, always assume everyone has been wronged by everyone else—“if I don’t have this meeting properly prepared by the time the sculptor follows . . .” I let out a low whistle.

“You’re meeting with who? Bramante?”

I exhaled, relieved that he had provided me with such an easy answer. “Sì. Bramante.”

“I saw him heading to the papal apartments. Is that where you’re meeting?”

I nodded.

“Don’t be nervous,” said the cardinal. “His Holiness is pre-disposed to like you. He enjoys stoking competition—especially when he’s the beneficiary of the fruits.” A door down the other end of the corridor clanged, and those familiar work boots clunked toward us. My eyes must’ve widened because the cardinal said, “Go. I’ll stall him.”

“Thank you, Your Em . . .” I started up the stairs, but the cardinal grabbed my arm and pointed down. “Sì certo, down . . . it’s my first day . . . I’ll master this place soon . . . Thank you, Fafel. I won’t forget the kindness.”

“Anything to thwart one of Michelangelo’s . . . jokes.”

My heart tapped fast as I scurried down the stairs. One glance at those papal seals emblazoned in the halls proved that the corridor had taken me back to Vatican palace. Michelangelo had a secret passageway connecting his studio to the Vatican? He was even more powerful than I’d feared. Any sane man would’ve found the nearest exit to avoid finding his neck on the wrong end of a noose for trespassing in the Vatican against the expressed will of the pope, but what kind of an artist would I be if I gave up so quickly? An unemployed artist, that’s what.

You don’t need to hear me flatter my way into the pope’s apartments—do you? By now, even considering my rough appearance, surely, you can trust that I’m able. So, let’s skip forward. As I entered the pope’s private office, Bramante looked incredulous. “Raphael! What are you doing here?”